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  <title>poet</title>
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  <updated>2008-08-21T07:16:43+00:00</updated>
  <entry>
    <title>Cambridge Motorways, 1992</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/cambridge-motorways-1992" />
    <id>http://www.caveatlector.com/content/cambridge-motorways-1992</id>
    <published>2008-03-17T00:02:25+00:00</published>
    <updated>2009-03-17T16:27:42+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="Cambridge" />
    <category term="Cambridge University" />
    <category term="elizabeth humphries" />
    <category term="liz humphries" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <category term="UEA" />
    <category term="University of Cambridge" />
    <summary type="html"><![CDATA[<p>We rocketed that <i>Clio</i> from Norwich canon<br /> Along the glistening fields buzzing<br /> That little hacksaw engine through<br /> Fizzing gear-throws.<br /> Your right-hand drive on my left-hand mind<br /> Left grinding notes at roundabouts.</p>
<p> We zipped, eating mouthfuls of sandwich, <br /> Tuna, from your long Fingers.  <br /> The wind raced <br /> As roundabouts grew quicker <br /> And the sky threw dew <br /> Onto flashing wiper blades.</p>
<p> We were in Summer-heat, that Winter.<br /> Me, freshly free from another<br /> Dog-house stay on Valentine's day,<br /> With you, escaping to Cambridgeshire<br /> From your student cell to relive<br /> A regatta day at the Blue-Boar: </p>
<p> <i>Dark and musty pub. I was dizzy <br /> From wine from the bottle;<br /> I stared, grabbed your hand, <br /> And admitted desire. <br /> You squirmed and said: </i><br /> You're not behaving English.</p>
<p> The fields burned past us like the <br /> Renault's petrol and I could see<br /> Your delighted fear as I pushed <br /> The sub-compact hard down meagre<br /> Motorways.  Pushing always harder<br /> Just to hear your thrill, preferring <br /> To keep moving so I could clasp<br /> Your wriggling body.</p>
<p> The horse pastures reminded you <br /> Of family outings and motor trips <br /> But they shall forever remind me <br /> Of your crinkled lines of happiness<br /> And the dollops of mayonnaise <br /> I licked from your fingers; <br /> The curve of your hip in the seat<br /> And your warnings to be nice to<br /> Our Little Car.</p>
<p> My heart raced the engine <br /> As the glazed asphalt skimmed tyres, <br /> And, worn from savage<br /> Down-shifts, we stopped at that<br /> Sterile convenience store <br /> (you for the loo and me for<br /> Sugary-sweet drinks.)</p>
<p> We savoured those Cokes,<br /> Sipping the biting bubbles and<br /> You cursed my clutch when the can,<br /> Perched on the dash, fell and spewed<br /> Its molasses onto your virgin jeans.<br /> (Why the dash?, I asked, you know <br /> I can't  drive your cars.)</p>
<p> Our journey ended in the muddled<br /> Dizziness of Cambridge, its one-way <br /> Streets and complicated thoroughfares<br /> Favoured the locals.  The green and blue<br /> Tin signs beckoned us along damp<br /> Brownstones, past jutting spires <br /> Of King's College and the worn wood fa&ccedil;ades <br /> of Antique bookshops.</p>
<p> Students, slumped in tweeds,<br /> Peddled three-speeds that blocked<br /> Trickling traffic ways.  Heady scholarship <br /> Humbled and loaned us <br /> The intent look of intellectuals <br /> As we pondered what culture we'd consume <br /> Before we consumed each other <br /> In a room at the Cambridge Hotel.</p>
<address> &#169;1993 Chris Abraham</address>
    ]]></summary>
    <content type="html"><![CDATA[<p>We rocketed that <i>Clio</i> from Norwich canon<br /> Along the glistening fields buzzing<br /> That little hacksaw engine through<br /> Fizzing gear-throws.<br /> Your right-hand drive on my left-hand mind<br /> Left grinding notes at roundabouts.</p>
<p> We zipped, eating mouthfuls of sandwich, <br /> Tuna, from your long Fingers.  <br /> The wind raced <br /> As roundabouts grew quicker <br /> And the sky threw dew <br /> Onto flashing wiper blades.</p>
<p> We were in Summer-heat, that Winter.<br /> Me, freshly free from another<br /> Dog-house stay on Valentine's day,<br /> With you, escaping to Cambridgeshire<br /> From your student cell to relive<br /> A regatta day at the Blue-Boar: </p>
<p> <i>Dark and musty pub. I was dizzy <br /> From wine from the bottle;<br /> I stared, grabbed your hand, <br /> And admitted desire. <br /> You squirmed and said: </i><br /> You're not behaving English.</p>
<p> The fields burned past us like the <br /> Renault's petrol and I could see<br /> Your delighted fear as I pushed <br /> The sub-compact hard down meagre<br /> Motorways.  Pushing always harder<br /> Just to hear your thrill, preferring <br /> To keep moving so I could clasp<br /> Your wriggling body.</p>
<p> The horse pastures reminded you <br /> Of family outings and motor trips <br /> But they shall forever remind me <br /> Of your crinkled lines of happiness<br /> And the dollops of mayonnaise <br /> I licked from your fingers; <br /> The curve of your hip in the seat<br /> And your warnings to be nice to<br /> Our Little Car.</p>
<p> My heart raced the engine <br /> As the glazed asphalt skimmed tyres, <br /> And, worn from savage<br /> Down-shifts, we stopped at that<br /> Sterile convenience store <br /> (you for the loo and me for<br /> Sugary-sweet drinks.)</p>
<p> We savoured those Cokes,<br /> Sipping the biting bubbles and<br /> You cursed my clutch when the can,<br /> Perched on the dash, fell and spewed<br /> Its molasses onto your virgin jeans.<br /> (Why the dash?, I asked, you know <br /> I can't  drive your cars.)</p>
<p> Our journey ended in the muddled<br /> Dizziness of Cambridge, its one-way <br /> Streets and complicated thoroughfares<br /> Favoured the locals.  The green and blue<br /> Tin signs beckoned us along damp<br /> Brownstones, past jutting spires <br /> Of King's College and the worn wood fa&ccedil;ades <br /> of Antique bookshops.</p>
<p> Students, slumped in tweeds,<br /> Peddled three-speeds that blocked<br /> Trickling traffic ways.  Heady scholarship <br /> Humbled and loaned us <br /> The intent look of intellectuals <br /> As we pondered what culture we'd consume <br /> Before we consumed each other <br /> In a room at the Cambridge Hotel.</p>
<address> &#169;1993 Chris Abraham</address>
    ]]></content>
  </entry>
  <entry>
    <title>Cut Flowers</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/cut-flowers" />
    <id>http://www.caveatlector.com/content/cut-flowers</id>
    <published>2008-08-21T06:55:03+00:00</published>
    <updated>2008-08-21T06:55:03+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="flowers" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel </p>
<p>purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost </p>
<address> &#169;1996 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel </p>
<p>purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost </p>
<address> &#169;1996 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>A Native Dance For Royalty</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/native-dance-royalty" />
    <id>http://www.caveatlector.com/content/native-dance-royalty</id>
    <published>2008-08-21T06:52:26+00:00</published>
    <updated>2008-08-21T06:52:26+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="dance" />
    <category term="dancing" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>A native dance,<BR /> Saved for those of<BR /> Divine lineage.<BR /> Succession of movements<BR /> Owing gratitude to <BR /> The oldest nation,<BR /> The first people.<BR /> Eight owing their lineage <BR /> To Africa:<BR /> Four men, four women.<BR /> Glistening bodies<BR /> Rippling torsos<BR /> Chiseled into slate.<BR /> Orange and blue full pant.<BR /> Adorned: shells and beads.<BR /> Nappy hair, braided hair<BR /> Whipping and arching.<BR /> Bandoleers of shells across<BR /> Broad chests, full breasts.<BR /> Drums.<BR /> Flailing, bounding<BR /> Jumping --<BR /> The pounding of drums,<BR /> Like an exaggerated <BR /> Heartbeat, a basic<BR /> Hypnotic pounding.<BR /> Dancing prancing<BR /> Arms flailing up,<BR /> Around, down.<BR /> Stepping hard with<BR /> Full thighs and <BR /> Tensed feet.<BR /> Gyration and pelvic thrusts.<BR /> Arms pitching,<BR /> Beat driving,<BR /> Sweat dripping.<BR /> Synchronized movement.<BR /> A dance of hot foot.<BR /> Bounding, thrashing,<BR /> Arms propelling in<BR /> Circles -- around,<BR /> As though the air<BR /> Would give flight.<BR /> Showing reverence to<BR /> The blood flowing within<BR /> Those honored and<BR /> Revered.</p>
<p></p><P></p>
<address> &#169;1989 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>A native dance,<BR /> Saved for those of<BR /> Divine lineage.<BR /> Succession of movements<BR /> Owing gratitude to <BR /> The oldest nation,<BR /> The first people.<BR /> Eight owing their lineage <BR /> To Africa:<BR /> Four men, four women.<BR /> Glistening bodies<BR /> Rippling torsos<BR /> Chiseled into slate.<BR /> Orange and blue full pant.<BR /> Adorned: shells and beads.<BR /> Nappy hair, braided hair<BR /> Whipping and arching.<BR /> Bandoleers of shells across<BR /> Broad chests, full breasts.<BR /> Drums.<BR /> Flailing, bounding<BR /> Jumping --<BR /> The pounding of drums,<BR /> Like an exaggerated <BR /> Heartbeat, a basic<BR /> Hypnotic pounding.<BR /> Dancing prancing<BR /> Arms flailing up,<BR /> Around, down.<BR /> Stepping hard with<BR /> Full thighs and <BR /> Tensed feet.<BR /> Gyration and pelvic thrusts.<BR /> Arms pitching,<BR /> Beat driving,<BR /> Sweat dripping.<BR /> Synchronized movement.<BR /> A dance of hot foot.<BR /> Bounding, thrashing,<BR /> Arms propelling in<BR /> Circles -- around,<BR /> As though the air<BR /> Would give flight.<BR /> Showing reverence to<BR /> The blood flowing within<BR /> Those honored and<BR /> Revered.</p><P><br />
<address> &#169;1989 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>Dig Me with Kat</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dig-me-kat" />
    <id>http://www.caveatlector.com/content/dig-me-kat</id>
    <published>2008-08-21T06:48:22+00:00</published>
    <updated>2008-08-21T07:16:43+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> she reclines by my side<br clear=left /> under our sun, on her towel.<br clear=left /> long limbs and nut brown skin.<br clear=left /> hair like the mane of a lion.<br clear=left /> in the sun buffeted by winds </p>
<p> winds the isles rarely see.<br clear=left /> it is all anyone talks about,<br clear=left /> these winds, the cold air,<br clear=left /> their jackets and sweaters. </p>
<p> i press lotion into the skin<br clear=left /> of her back.  we laugh and speak<br clear=left /> like blue bloods, jaws clenched,<br clear=left /> reading from a book of fiction.<br clear=left /> reading aloud for the sun, for<br clear=left /> the wind, for each other, such<br clear=left /> friends.  such friendship to read<br clear=left /> and sun, to bronze and feel <br clear=left /> the cote d'azur on our flanks<br clear=left /> in waikiki. </p>
<p> the book speaks french, the book<br clear=left /> speaks english, and the words are<br clear=left /> poetic, the words are absurd.<br clear=left /> the novel calls itself surreal, </p>
<p> but it is self consciously erotic like<br clear=left /> "the rose pulsates," "the skin is<br clear=left /> nut brown," "the lover parts the<br clear=left /> knees," "the smooth skin gives way<br clear=left /> to fingers."  out loud these words<br clear=left /> are spoken and we laugh bright sunny<br clear=left /> laughter. </p>
<p> Laughing at the absurdity of the erotic, <br clear=left /> the protagonist taking many<br clear=left /> lovers and weeping, always weeping,<br clear=left /> for the sadness wells and pulsates<br clear=left /> like her rose, like her chest, like<br clear=left /> the surf lapping so near our<br clear=left /> bare toes. </p>
<p> the air tastes especially <br clear=left /> salty. i smell like a coconut.<br clear=left /> she is so natural under the sun. </p>
<p> we laugh to ourselves that the<br clear=left /> text is so hot we must swim.<br clear=left /> we tip toe into the cold water<br clear=left /> refreshed by the winds, these<br clear=left /> uncommon winds, in hawaii. </p>
<p> slowly we enter.  on tippy toes<br clear=left /> en pointe like dancers.  so slowly<br clear=left /> making a quick dip agonizing, feeling<br clear=left /> the sand give way to my feet. pulling<br clear=left /> in tummies and wishing the winds to<br clear=left /> cease and the water to turn bath like. </p>
<p> i am taller than she but she has the<br clear=left /> leg advantage.  water laps her hips.<br clear=left /> stalemate.  a count to three and away<br clear=left /> to the bright orange windsock off shore.<br clear=left /> swimming our heads bob, out further to<br clear=left /> just before. </p>
<p> "this is where i stop, this is where<br clear=left /> my fear of sharks begins.  this is the <br clear=left /> point past which i will be eaten alive." </p>
<p> we turn back, she sprints.  i wallow<br clear=left /> in the chop, having come from washington<br clear=left /> days before.  from the winter.  her nut<br clear=left /> brown skin, my pale white dough broiling.<br clear=left /> i move my body through the saltiness, see<br clear=left /> clarity when i open my eyes, feel my hair<br clear=left /> wave like weeds across my forehead. </p>
<p> pulling myself from the water, i check<br clear=left /> my bad washington knees -- they are strong<br clear=left /> again.  <i>encore.  il fait froid!  mais non,</i><br clear=left /> <i>il fait beau</i> -- it is always wonderful here. </p>
<address> &#169;26 March 1997 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> she reclines by my side<br clear=left /> under our sun, on her towel.<br clear=left /> long limbs and nut brown skin.<br clear=left /> hair like the mane of a lion.<br clear=left /> in the sun buffeted by winds </p>
<p> winds the isles rarely see.<br clear=left /> it is all anyone talks about,<br clear=left /> these winds, the cold air,<br clear=left /> their jackets and sweaters. </p>
<p> i press lotion into the skin<br clear=left /> of her back.  we laugh and speak<br clear=left /> like blue bloods, jaws clenched,<br clear=left /> reading from a book of fiction.<br clear=left /> reading aloud for the sun, for<br clear=left /> the wind, for each other, such<br clear=left /> friends.  such friendship to read<br clear=left /> and sun, to bronze and feel <br clear=left /> the cote d'azur on our flanks<br clear=left /> in waikiki. </p>
<p> the book speaks french, the book<br clear=left /> speaks english, and the words are<br clear=left /> poetic, the words are absurd.<br clear=left /> the novel calls itself surreal, </p>
<p> but it is self consciously erotic like<br clear=left /> "the rose pulsates," "the skin is<br clear=left /> nut brown," "the lover parts the<br clear=left /> knees," "the smooth skin gives way<br clear=left /> to fingers."  out loud these words<br clear=left /> are spoken and we laugh bright sunny<br clear=left /> laughter. </p>
<p> Laughing at the absurdity of the erotic, <br clear=left /> the protagonist taking many<br clear=left /> lovers and weeping, always weeping,<br clear=left /> for the sadness wells and pulsates<br clear=left /> like her rose, like her chest, like<br clear=left /> the surf lapping so near our<br clear=left /> bare toes. </p>
<p> the air tastes especially <br clear=left /> salty. i smell like a coconut.<br clear=left /> she is so natural under the sun. </p>
<p> we laugh to ourselves that the<br clear=left /> text is so hot we must swim.<br clear=left /> we tip toe into the cold water<br clear=left /> refreshed by the winds, these<br clear=left /> uncommon winds, in hawaii. </p>
<p> slowly we enter.  on tippy toes<br clear=left /> en pointe like dancers.  so slowly<br clear=left /> making a quick dip agonizing, feeling<br clear=left /> the sand give way to my feet. pulling<br clear=left /> in tummies and wishing the winds to<br clear=left /> cease and the water to turn bath like. </p>
<p> i am taller than she but she has the<br clear=left /> leg advantage.  water laps her hips.<br clear=left /> stalemate.  a count to three and away<br clear=left /> to the bright orange windsock off shore.<br clear=left /> swimming our heads bob, out further to<br clear=left /> just before. </p>
<p> "this is where i stop, this is where<br clear=left /> my fear of sharks begins.  this is the <br clear=left /> point past which i will be eaten alive." </p>
<p> we turn back, she sprints.  i wallow<br clear=left /> in the chop, having come from washington<br clear=left /> days before.  from the winter.  her nut<br clear=left /> brown skin, my pale white dough broiling.<br clear=left /> i move my body through the saltiness, see<br clear=left /> clarity when i open my eyes, feel my hair<br clear=left /> wave like weeds across my forehead. </p>
<p> pulling myself from the water, i check<br clear=left /> my bad washington knees -- they are strong<br clear=left /> again.  <i>encore.  il fait froid!  mais non,</i><br clear=left /> <i>il fait beau</i> -- it is always wonderful here. </p>
<address> &#169;26 March 1997 chris abraham </address>
    ]]></content>
  </entry>
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