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<feed xmlns="http://www.w3.org/2005/Atom">
  <title>poetry</title>
  <link rel="alternate" type="text/html" href="http://www.caveatlector.com/category/tags/poetry"/>
  <link rel="self" type="application/atom+xml" href="http://www.caveatlector.com/taxonomy/term/2/atom/feed"/>
  <id>http://www.caveatlector.com/taxonomy/term/2/atom/feed</id>
  <updated>2008-08-21T06:41:32+00:00</updated>
  <entry>
    <title>Cut Flowers</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/cut-flowers" />
    <id>http://www.caveatlector.com/content/cut-flowers</id>
    <published>2008-08-21T06:55:03+00:00</published>
    <updated>2008-08-21T06:55:03+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="flowers" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel </p>
<p>purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost </p>
<address> &#169;1996 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel </p>
<p>purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost </p>
<address> &#169;1996 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>A Native Dance For Royalty</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/native-dance-royalty" />
    <id>http://www.caveatlector.com/content/native-dance-royalty</id>
    <published>2008-08-21T06:52:26+00:00</published>
    <updated>2008-08-21T06:52:26+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="dance" />
    <category term="dancing" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>A native dance,<BR /> Saved for those of<BR /> Divine lineage.<BR /> Succession of movements<BR /> Owing gratitude to <BR /> The oldest nation,<BR /> The first people.<BR /> Eight owing their lineage <BR /> To Africa:<BR /> Four men, four women.<BR /> Glistening bodies<BR /> Rippling torsos<BR /> Chiseled into slate.<BR /> Orange and blue full pant.<BR /> Adorned: shells and beads.<BR /> Nappy hair, braided hair<BR /> Whipping and arching.<BR /> Bandoleers of shells across<BR /> Broad chests, full breasts.<BR /> Drums.<BR /> Flailing, bounding<BR /> Jumping --<BR /> The pounding of drums,<BR /> Like an exaggerated <BR /> Heartbeat, a basic<BR /> Hypnotic pounding.<BR /> Dancing prancing<BR /> Arms flailing up,<BR /> Around, down.<BR /> Stepping hard with<BR /> Full thighs and <BR /> Tensed feet.<BR /> Gyration and pelvic thrusts.<BR /> Arms pitching,<BR /> Beat driving,<BR /> Sweat dripping.<BR /> Synchronized movement.<BR /> A dance of hot foot.<BR /> Bounding, thrashing,<BR /> Arms propelling in<BR /> Circles -- around,<BR /> As though the air<BR /> Would give flight.<BR /> Showing reverence to<BR /> The blood flowing within<BR /> Those honored and<BR /> Revered.</p>
<p></p><P></p>
<address> &#169;1989 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>A native dance,<BR /> Saved for those of<BR /> Divine lineage.<BR /> Succession of movements<BR /> Owing gratitude to <BR /> The oldest nation,<BR /> The first people.<BR /> Eight owing their lineage <BR /> To Africa:<BR /> Four men, four women.<BR /> Glistening bodies<BR /> Rippling torsos<BR /> Chiseled into slate.<BR /> Orange and blue full pant.<BR /> Adorned: shells and beads.<BR /> Nappy hair, braided hair<BR /> Whipping and arching.<BR /> Bandoleers of shells across<BR /> Broad chests, full breasts.<BR /> Drums.<BR /> Flailing, bounding<BR /> Jumping --<BR /> The pounding of drums,<BR /> Like an exaggerated <BR /> Heartbeat, a basic<BR /> Hypnotic pounding.<BR /> Dancing prancing<BR /> Arms flailing up,<BR /> Around, down.<BR /> Stepping hard with<BR /> Full thighs and <BR /> Tensed feet.<BR /> Gyration and pelvic thrusts.<BR /> Arms pitching,<BR /> Beat driving,<BR /> Sweat dripping.<BR /> Synchronized movement.<BR /> A dance of hot foot.<BR /> Bounding, thrashing,<BR /> Arms propelling in<BR /> Circles -- around,<BR /> As though the air<BR /> Would give flight.<BR /> Showing reverence to<BR /> The blood flowing within<BR /> Those honored and<BR /> Revered.</p><P><br />
<address> &#169;1989 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>No Decompression Limit</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/no-decompression-limit" />
    <id>http://www.caveatlector.com/content/no-decompression-limit</id>
    <published>2008-08-21T06:50:26+00:00</published>
    <updated>2008-08-21T07:16:31+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="diving" />
    <category term="godhead" />
    <category term="poem" />
    <category term="poetry" />
    <category term="scuba" />
    <category term="spirituality" />
    <summary type="html"><![CDATA[<p>I sit hypnotized by the soft hiss and blow<BR /> Of my breath as I look past the pressure <BR /> Of my mask.</p>
<p></p><P> Man-eaters pass:<BR /> Larger, drabber, more oppressive<BR /> Than on the aerated surface.</p>
<p></p><P> Yet, the great column of water above<BR /> Places me in the snug warmth <BR /> Of a mother's womb.</p>
<p></p><P> Reassured in this salty bath<BR /> Of aquamarine and the fluttering silver<BR /> Of slender eyeless fish <BR /> and brown drab eels, <BR /> Foraging under great shelves <BR /> of cragged coral.</p>
<p></p><P> Neutral buoyancy.<BR /> Mastering the physics of the deep,<BR /> The breath of depth;<BR /> The most delicious air<BR /> Fills my lungs to saturation.<BR /> The seduction of the underworld<BR /> Glides in a reality unreal,<BR /> Disorienting to this surface-dweller:<BR /> An absence of gravity, a magnified<BR /> Presence.</p>
<p></p><P> Never wanting to come off<BR /> I take hit after hit;<BR /> The narcosis of this depth<BR /> Is frightening, addictive.<BR /> Bubbled mercury rises as I blow<BR /> Hard into my second stage.<BR /> I grip my jaw into the salty<BR /> Spongy rubber mouth-piece,<BR /> Shutting eyes tight,<BR /> Shaking off the numbing <BR /> Water.</p>
<p></p><P> The glowing face of a gauge<BR /> Announces that the end is coming.<BR /> I will rise soon, making sure<BR /> I can see the mirrored bubbles<BR /> Pass my ascent.</p>
<p></p><P> As I look up light glimmers through<BR /> The great water separating me<BR /> From the sky.</p>
<p></p><P></p>
<address> &#169;1999 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>I sit hypnotized by the soft hiss and blow<BR /> Of my breath as I look past the pressure <BR /> Of my mask.</p><P> Man-eaters pass:<BR /> Larger, drabber, more oppressive<BR /> Than on the aerated surface.</p><P> Yet, the great column of water above<BR /> Places me in the snug warmth <BR /> Of a mother's womb.</p><P> Reassured in this salty bath<BR /> Of aquamarine and the fluttering silver<BR /> Of slender eyeless fish <BR /> and brown drab eels, <BR /> Foraging under great shelves <BR /> of cragged coral.</p><P> Neutral buoyancy.<BR /> Mastering the physics of the deep,<BR /> The breath of depth;<BR /> The most delicious air<BR /> Fills my lungs to saturation.<BR /> The seduction of the underworld<BR /> Glides in a reality unreal,<BR /> Disorienting to this surface-dweller:<BR /> An absence of gravity, a magnified<BR /> Presence.</p><P> Never wanting to come off<BR /> I take hit after hit;<BR /> The narcosis of this depth<BR /> Is frightening, addictive.<BR /> Bubbled mercury rises as I blow<BR /> Hard into my second stage.<BR /> I grip my jaw into the salty<BR /> Spongy rubber mouth-piece,<BR /> Shutting eyes tight,<BR /> Shaking off the numbing <BR /> Water.</p><P> The glowing face of a gauge<BR /> Announces that the end is coming.<BR /> I will rise soon, making sure<BR /> I can see the mirrored bubbles<BR /> Pass my ascent.</p><P> As I look up light glimmers through<BR /> The great water separating me<BR /> From the sky.</p><P><br />
<address> &#169;1999 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>Dew</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dew" />
    <id>http://www.caveatlector.com/content/dew</id>
    <published>2008-08-21T06:49:36+00:00</published>
    <updated>2008-08-21T06:49:36+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="Dew" />
    <category term="poem" />
    <category term="poetry" />
    <category term="sex" />
    <category term="sex poem" />
    <category term="sexiness" />
    <category term="sexy" />
    <summary type="html"><![CDATA[<p>Pale lips flutter alight,<BR /> Mouthing phantom praise, saxophone coos.<BR /> <DT>A hovering tease -- breath vaporizes against<BR /> salty sheen skin.<BR /> <DT>Under slow nuzzled caresses, trailed fingers,<DD> and an incandescent tongue,<BR /> Taut flesh swells and becomes flush.<BR /> Arching the back to be closer met by touch.<P> <DT>Touch: soft, gentle scrape of nails on chest;<DD> The touching of the mouth to the nape;<BR /> It lingers and explores, head falls back,<BR /> And the stomach tenses.<BR /> <DT>Wonderful mouth!  Wonderful intimate kiss!<DD> Arms firm around curving flair;<BR /> Pulling closer in embrace, opening under assurance,<BR /> <DT>Gasping breath love, moving<DD> Slowly together.<P> A crescendo of response, up like<BR /> Tides under the moon.<BR /> Kettledrum pulse, sudden resurgence like<BR /> <DT>The wing beat of a startled dove.<DD> Slick musty brine inhaled,<BR /> Saturating the lungs.<P> Minds detour into mazes as eyes close;<BR /> Mouths search. Skin meets, its contact<BR /> Fosters the need to devour<BR /> Swallow<BR /> Absorb --<BR /> To break the physical and meet the <BR /> Need.</p>
<p></p><P></p>
<address> &#169;1989 chris abraham </address>
</dd></dt></p>
</dd>
</dt>
</dd></dt></dd></dt></p>
</dd>
</dt>

</dt>


</p>




    ]]></summary>
    <content type="html"><![CDATA[<p>Pale lips flutter alight,<BR /> Mouthing phantom praise, saxophone coos.<BR /> <DT>A hovering tease -- breath vaporizes against<BR /> salty sheen skin.<BR /> <DT>Under slow nuzzled caresses, trailed fingers,<DD> and an incandescent tongue,<BR /> Taut flesh swells and becomes flush.<BR /> Arching the back to be closer met by touch.<P> <DT>Touch: soft, gentle scrape of nails on chest;<DD> The touching of the mouth to the nape;<BR /> It lingers and explores, head falls back,<BR /> And the stomach tenses.<BR /> <DT>Wonderful mouth!  Wonderful intimate kiss!<DD> Arms firm around curving flair;<BR /> Pulling closer in embrace, opening under assurance,<BR /> <DT>Gasping breath love, moving<DD> Slowly together.<P> A crescendo of response, up like<BR /> Tides under the moon.<BR /> Kettledrum pulse, sudden resurgence like<BR /> <DT>The wing beat of a startled dove.<DD> Slick musty brine inhaled,<BR /> Saturating the lungs.<P> Minds detour into mazes as eyes close;<BR /> Mouths search. Skin meets, its contact<BR /> Fosters the need to devour<BR /> Swallow<BR /> Absorb --<BR /> To break the physical and meet the <BR /> Need.</p><P><br />
<address> &#169;1989 chris abraham </address>
</p></dd></dt></p></dd></dt></dd></dt></dd></dt></p></dd></dt></dt></p>    ]]></content>
  </entry>
  <entry>
    <title>Dig Me with Kat</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dig-me-kat" />
    <id>http://www.caveatlector.com/content/dig-me-kat</id>
    <published>2008-08-21T06:48:22+00:00</published>
    <updated>2008-08-21T07:16:43+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> she reclines by my side<br clear=left /> under our sun, on her towel.<br clear=left /> long limbs and nut brown skin.<br clear=left /> hair like the mane of a lion.<br clear=left /> in the sun buffeted by winds </p>
<p> winds the isles rarely see.<br clear=left /> it is all anyone talks about,<br clear=left /> these winds, the cold air,<br clear=left /> their jackets and sweaters. </p>
<p> i press lotion into the skin<br clear=left /> of her back.  we laugh and speak<br clear=left /> like blue bloods, jaws clenched,<br clear=left /> reading from a book of fiction.<br clear=left /> reading aloud for the sun, for<br clear=left /> the wind, for each other, such<br clear=left /> friends.  such friendship to read<br clear=left /> and sun, to bronze and feel <br clear=left /> the cote d'azur on our flanks<br clear=left /> in waikiki. </p>
<p> the book speaks french, the book<br clear=left /> speaks english, and the words are<br clear=left /> poetic, the words are absurd.<br clear=left /> the novel calls itself surreal, </p>
<p> but it is self consciously erotic like<br clear=left /> "the rose pulsates," "the skin is<br clear=left /> nut brown," "the lover parts the<br clear=left /> knees," "the smooth skin gives way<br clear=left /> to fingers."  out loud these words<br clear=left /> are spoken and we laugh bright sunny<br clear=left /> laughter. </p>
<p> Laughing at the absurdity of the erotic, <br clear=left /> the protagonist taking many<br clear=left /> lovers and weeping, always weeping,<br clear=left /> for the sadness wells and pulsates<br clear=left /> like her rose, like her chest, like<br clear=left /> the surf lapping so near our<br clear=left /> bare toes. </p>
<p> the air tastes especially <br clear=left /> salty. i smell like a coconut.<br clear=left /> she is so natural under the sun. </p>
<p> we laugh to ourselves that the<br clear=left /> text is so hot we must swim.<br clear=left /> we tip toe into the cold water<br clear=left /> refreshed by the winds, these<br clear=left /> uncommon winds, in hawaii. </p>
<p> slowly we enter.  on tippy toes<br clear=left /> en pointe like dancers.  so slowly<br clear=left /> making a quick dip agonizing, feeling<br clear=left /> the sand give way to my feet. pulling<br clear=left /> in tummies and wishing the winds to<br clear=left /> cease and the water to turn bath like. </p>
<p> i am taller than she but she has the<br clear=left /> leg advantage.  water laps her hips.<br clear=left /> stalemate.  a count to three and away<br clear=left /> to the bright orange windsock off shore.<br clear=left /> swimming our heads bob, out further to<br clear=left /> just before. </p>
<p> "this is where i stop, this is where<br clear=left /> my fear of sharks begins.  this is the <br clear=left /> point past which i will be eaten alive." </p>
<p> we turn back, she sprints.  i wallow<br clear=left /> in the chop, having come from washington<br clear=left /> days before.  from the winter.  her nut<br clear=left /> brown skin, my pale white dough broiling.<br clear=left /> i move my body through the saltiness, see<br clear=left /> clarity when i open my eyes, feel my hair<br clear=left /> wave like weeds across my forehead. </p>
<p> pulling myself from the water, i check<br clear=left /> my bad washington knees -- they are strong<br clear=left /> again.  <i>encore.  il fait froid!  mais non,</i><br clear=left /> <i>il fait beau</i> -- it is always wonderful here. </p>
<address> &#169;26 March 1997 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> she reclines by my side<br clear=left /> under our sun, on her towel.<br clear=left /> long limbs and nut brown skin.<br clear=left /> hair like the mane of a lion.<br clear=left /> in the sun buffeted by winds </p>
<p> winds the isles rarely see.<br clear=left /> it is all anyone talks about,<br clear=left /> these winds, the cold air,<br clear=left /> their jackets and sweaters. </p>
<p> i press lotion into the skin<br clear=left /> of her back.  we laugh and speak<br clear=left /> like blue bloods, jaws clenched,<br clear=left /> reading from a book of fiction.<br clear=left /> reading aloud for the sun, for<br clear=left /> the wind, for each other, such<br clear=left /> friends.  such friendship to read<br clear=left /> and sun, to bronze and feel <br clear=left /> the cote d'azur on our flanks<br clear=left /> in waikiki. </p>
<p> the book speaks french, the book<br clear=left /> speaks english, and the words are<br clear=left /> poetic, the words are absurd.<br clear=left /> the novel calls itself surreal, </p>
<p> but it is self consciously erotic like<br clear=left /> "the rose pulsates," "the skin is<br clear=left /> nut brown," "the lover parts the<br clear=left /> knees," "the smooth skin gives way<br clear=left /> to fingers."  out loud these words<br clear=left /> are spoken and we laugh bright sunny<br clear=left /> laughter. </p>
<p> Laughing at the absurdity of the erotic, <br clear=left /> the protagonist taking many<br clear=left /> lovers and weeping, always weeping,<br clear=left /> for the sadness wells and pulsates<br clear=left /> like her rose, like her chest, like<br clear=left /> the surf lapping so near our<br clear=left /> bare toes. </p>
<p> the air tastes especially <br clear=left /> salty. i smell like a coconut.<br clear=left /> she is so natural under the sun. </p>
<p> we laugh to ourselves that the<br clear=left /> text is so hot we must swim.<br clear=left /> we tip toe into the cold water<br clear=left /> refreshed by the winds, these<br clear=left /> uncommon winds, in hawaii. </p>
<p> slowly we enter.  on tippy toes<br clear=left /> en pointe like dancers.  so slowly<br clear=left /> making a quick dip agonizing, feeling<br clear=left /> the sand give way to my feet. pulling<br clear=left /> in tummies and wishing the winds to<br clear=left /> cease and the water to turn bath like. </p>
<p> i am taller than she but she has the<br clear=left /> leg advantage.  water laps her hips.<br clear=left /> stalemate.  a count to three and away<br clear=left /> to the bright orange windsock off shore.<br clear=left /> swimming our heads bob, out further to<br clear=left /> just before. </p>
<p> "this is where i stop, this is where<br clear=left /> my fear of sharks begins.  this is the <br clear=left /> point past which i will be eaten alive." </p>
<p> we turn back, she sprints.  i wallow<br clear=left /> in the chop, having come from washington<br clear=left /> days before.  from the winter.  her nut<br clear=left /> brown skin, my pale white dough broiling.<br clear=left /> i move my body through the saltiness, see<br clear=left /> clarity when i open my eyes, feel my hair<br clear=left /> wave like weeds across my forehead. </p>
<p> pulling myself from the water, i check<br clear=left /> my bad washington knees -- they are strong<br clear=left /> again.  <i>encore.  il fait froid!  mais non,</i><br clear=left /> <i>il fait beau</i> -- it is always wonderful here. </p>
<address> &#169;26 March 1997 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>DiscMan</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/discman" />
    <id>http://www.caveatlector.com/content/discman</id>
    <published>2008-08-21T06:47:47+00:00</published>
    <updated>2008-08-21T07:16:58+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="DiscMan" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>this morning i made<br /> a sacrifice to the gods<br /> the discman to the tile<br /> floors by my feet in the<br /> john, and it might have<br /> well broken for the hold<br /> button that saves the batts<br /> broke and now the discs<br /> are always spinning<br /> discs are moving, rumbling<br /> through their little sambas<br /> until the record stops whirring<br /> and the music stops purring</p>
<address> &#169;1996 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>this morning i made<br /> a sacrifice to the gods<br /> the discman to the tile<br /> floors by my feet in the<br /> john, and it might have<br /> well broken for the hold<br /> button that saves the batts<br /> broke and now the discs<br /> are always spinning<br /> discs are moving, rumbling<br /> through their little sambas<br /> until the record stops whirring<br /> and the music stops purring<br />
<address> &#169;1996 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>dry elbows</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dry-elbows" />
    <id>http://www.caveatlector.com/content/dry-elbows</id>
    <published>2008-08-21T06:47:08+00:00</published>
    <updated>2008-08-21T06:47:08+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="life poem" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>the evening passed on my dry elbows, before a dead fire, next to a monitor playing reruns of the x-files. before the lcd playing the words of a former  mistress, a milky little doll with a blunt bob, rosebud breasts, and a penchant  for wearing dkny under the hawaiian sun. or showing off a tummy above hiphuggers  and below a jogbra, black.</p>
<p>her words on the screen. x-sender. x-reply. x-header. she at work, me putting  off the rower. the words. &quot;how can you remember all of this?&quot; she  asks, &quot;or a you making it up as you go along?&quot; </p>
<address> &#169;1998 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>the evening passed on my dry elbows, before a dead fire, next to a monitor playing reruns of the x-files. before the lcd playing the words of a former  mistress, a milky little doll with a blunt bob, rosebud breasts, and a penchant  for wearing dkny under the hawaiian sun. or showing off a tummy above hiphuggers  and below a jogbra, black.</p>
<p>her words on the screen. x-sender. x-reply. x-header. she at work, me putting  off the rower. the words. &quot;how can you remember all of this?&quot; she  asks, &quot;or a you making it up as you go along?&quot; </p>
<address> &#169;1998 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>easter</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/easter" />
    <id>http://www.caveatlector.com/content/easter</id>
    <published>2008-08-21T06:45:05+00:00</published>
    <updated>2008-08-21T06:45:05+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>easter. on the phone with m, and it was not great for her: tiles, barracks, linoleum, beer, bbq, schofield, military, comingling, easter is made for the  east coast, even the mid-atlantic. i look at the picture of me in Paris when  I was mid-twenty, 1990. even then i knew that for me, europe was hollow alone.  i saw the sites like i was preparing my life as a tour guide for her, for she.  for the partner who would like to travel with me, to allow me to show her the  paris jewish ghetto, the little gay neighborhood, shakespeare &amp; co. the evening  light, the wine, the bastille and its opera house. people on the rue, on the  walks, crowded in pens of cafe tables. le louvre. the centre george pompidou.  even lyons, cherbourg, around and about. the buzzing enduros and our buzzing,  our own humming. paris not as a romantic destination but as a place to be, as  a place to enjoy to just enjoy each other. no real sight seeing for us! now,  its all about being there together not sigh seeing, not walking our feet off,  not climbing the radio tower just to see the grim tops of the low low old town-cum-city.  no, instant intimites, with friends from Uni and the night clubs costing US$30  for the unsuspecting. the turn of her hip, the way paris invites a woman to  walk, a woman to dance, the way she eats her strawberry or touches the silk  scarf around her neck. the way she touches me, each other, kissing like school  kids along the seine as the voyeuristic dinner show barges barrage us with spotlights,  illuminating out expert hands. our knowing touches. this is the paris for which  i was prepping, the paris exposed in trite editorials in the new yorker, the  same paris eaten in gulps by hemingway. not the ruined paris -- we shall ignore  her ripped tights and smudged lipstick -- but the youthful daring city, ripe  and flush, breathing heavy with a bountiful chest and apple ass. </p>
<address> &#169;1998 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>easter. on the phone with m, and it was not great for her: tiles, barracks, linoleum, beer, bbq, schofield, military, comingling, easter is made for the  east coast, even the mid-atlantic. i look at the picture of me in Paris when  I was mid-twenty, 1990. even then i knew that for me, europe was hollow alone.  i saw the sites like i was preparing my life as a tour guide for her, for she.  for the partner who would like to travel with me, to allow me to show her the  paris jewish ghetto, the little gay neighborhood, shakespeare &amp; co. the evening  light, the wine, the bastille and its opera house. people on the rue, on the  walks, crowded in pens of cafe tables. le louvre. the centre george pompidou.  even lyons, cherbourg, around and about. the buzzing enduros and our buzzing,  our own humming. paris not as a romantic destination but as a place to be, as  a place to enjoy to just enjoy each other. no real sight seeing for us! now,  its all about being there together not sigh seeing, not walking our feet off,  not climbing the radio tower just to see the grim tops of the low low old town-cum-city.  no, instant intimites, with friends from Uni and the night clubs costing US$30  for the unsuspecting. the turn of her hip, the way paris invites a woman to  walk, a woman to dance, the way she eats her strawberry or touches the silk  scarf around her neck. the way she touches me, each other, kissing like school  kids along the seine as the voyeuristic dinner show barges barrage us with spotlights,  illuminating out expert hands. our knowing touches. this is the paris for which  i was prepping, the paris exposed in trite editorials in the new yorker, the  same paris eaten in gulps by hemingway. not the ruined paris -- we shall ignore  her ripped tights and smudged lipstick -- but the youthful daring city, ripe  and flush, breathing heavy with a bountiful chest and apple ass. </p>
<address> &#169;1998 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>Exploding Boy</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/exploding-boy" />
    <id>http://www.caveatlector.com/content/exploding-boy</id>
    <published>2008-08-21T06:42:35+00:00</published>
    <updated>2008-08-21T06:42:35+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poet" />
    <category term="poetry" />
    <category term="Velton Ross" />
    <summary type="html"><![CDATA[<p></p>
<p></p><P> Exploding boy!<br /> The kid who wanted<br /> To know it all;<br /> He tried to cram infinity<br /> Into his finite skull . . . .<br /> Exploding boy!<br /> He desired to possess the wisdom <br /> Of all mankind,<br /> But with the effort managed<br /> Only to blow his mind . . . .<br /> Exploding boy!<br /> Were you not aware<br /> That you cannot pursue, nor amass<br /> Wisdom<br /> Like one does knowledge?<br /> That you can't become a sage<br /> By taking hallucinogens, and<br /> Going to college?<br /> Oh,<br /> Exploding boy!<br /> When the books wouldn't<br /> Take you there,<br /> And the LSD<br /> No longer shed new light,<br /> And you felt your quest was leading<br /> Nowhere,<br /> Did you know that finally,<br /> You were right?<br /> But nowhere is everywhere<br /> And everywhere is <br /> Zen --<br /> So all along you were right on track,<br /> Right where you were supposed to have been . . . .<br /> Oh, exploding boy . . . .<br /> If only you would have stopped<br /> Looking<br /> And allowed yourself<br /> To simply see,<br /> Maybe, then,<br /> You would have become wise --<br /> Instead of just plum crazy . . . .  </p>
<p></p>
<address> &#169;1995 Velton Ross<br />
</address>
    ]]></summary>
    <content type="html"><![CDATA[<p></p><P> Exploding boy!<br /> The kid who wanted<br /> To know it all;<br /> He tried to cram infinity<br /> Into his finite skull . . . .<br /> Exploding boy!<br /> He desired to possess the wisdom <br /> Of all mankind,<br /> But with the effort managed<br /> Only to blow his mind . . . .<br /> Exploding boy!<br /> Were you not aware<br /> That you cannot pursue, nor amass<br /> Wisdom<br /> Like one does knowledge?<br /> That you can't become a sage<br /> By taking hallucinogens, and<br /> Going to college?<br /> Oh,<br /> Exploding boy!<br /> When the books wouldn't<br /> Take you there,<br /> And the LSD<br /> No longer shed new light,<br /> And you felt your quest was leading<br /> Nowhere,<br /> Did you know that finally,<br /> You were right?<br /> But nowhere is everywhere<br /> And everywhere is <br /> Zen --<br /> So all along you were right on track,<br /> Right where you were supposed to have been . . . .<br /> Oh, exploding boy . . . .<br /> If only you would have stopped<br /> Looking<br /> And allowed yourself<br /> To simply see,<br /> Maybe, then,<br /> You would have become wise --<br /> Instead of just plum crazy . . . .  </p><br />
<address> &#169;1995 Velton Ross<br />
</address>
    ]]></content>
  </entry>
  <entry>
    <title>fallation brass axe</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/fallation-brass-axe" />
    <id>http://www.caveatlector.com/content/fallation-brass-axe</id>
    <published>2008-08-21T06:41:32+00:00</published>
    <updated>2008-08-21T06:41:32+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="music" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> fallation brass axe shitake falling away into and running with the entire concept of the boy finally reaching sweet sixteen blowing oh so sweet woo woo cat melodies into the center of my head thick pressed paws thump beat honk of geese in the small floating room below the exit sign  before the moving leaves and the red light the red burning eye.  the.  the.  the. he bought me a drink but i was afraid to drink it, there might be something in it, might be something else but the boyman drinks from the brown glass condensed hoping. hopping.  jiving grooving saying its me i am doing i do not i try not.  i do not.  buzz buzz.  the strain and staring into the mirror for five under stalin red budsign loo loo skip to the loo loo loo skip to the loo my darling and the window to the soul the man with the cruel face the cruelty hidden hidden and the slash across the face, that which i knew before but without the beard even more cruel like sneer and dogs jowls rabid slather pores wide fixed and moving,  eye/eyes/eye/eyes dark cruel sanitary tp tp wiping the water wiping the water mine eyes mine eyes leaking leaking -- watering.  bad choice... all choices. exhilarated glide on wings to nest here dishrag making pruned paws clean pieces steel glass gyrating oregano, basil, hemlock. </p>
<address> &#169;1997 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> fallation brass axe shitake falling away into and running with the entire concept of the boy finally reaching sweet sixteen blowing oh so sweet woo woo cat melodies into the center of my head thick pressed paws thump beat honk of geese in the small floating room below the exit sign  before the moving leaves and the red light the red burning eye.  the.  the.  the. he bought me a drink but i was afraid to drink it, there might be something in it, might be something else but the boyman drinks from the brown glass condensed hoping. hopping.  jiving grooving saying its me i am doing i do not i try not.  i do not.  buzz buzz.  the strain and staring into the mirror for five under stalin red budsign loo loo skip to the loo loo loo skip to the loo my darling and the window to the soul the man with the cruel face the cruelty hidden hidden and the slash across the face, that which i knew before but without the beard even more cruel like sneer and dogs jowls rabid slather pores wide fixed and moving,  eye/eyes/eye/eyes dark cruel sanitary tp tp wiping the water wiping the water mine eyes mine eyes leaking leaking -- watering.  bad choice... all choices. exhilarated glide on wings to nest here dishrag making pruned paws clean pieces steel glass gyrating oregano, basil, hemlock. </p>
<address> &#169;1997 chris abraham </address>
    ]]></content>
  </entry>
</feed>
