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  <title>Caveat Lector</title>
  <subtitle>Let the Reader Beware</subtitle>
  <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/houston"/>
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  <updated>2008-08-21T05:55:45+00:00</updated>
  <entry>
    <title>Houston</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/houston" />
    <id>http://www.caveatlector.com/content/houston</id>
    <published>2008-08-21T05:55:45+00:00</published>
    <updated>2008-08-21T05:55:45+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="houston" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <category term="texas" />
    <summary type="html"><![CDATA[<p>Can't get lost here where<br /> the streets are long and<br /> helpful, large signs and<br /> billboards beckon and indulge<br /> drivers to explore without<br /> fear of becoming lost.
</p>
<p> No getting lost in Houston<br /> where there is always a richmond<br /> or main or montrose greenbriar<br /> to set one straight through the<br /> cafe airs to the theaters in the<br /> avenues, the gaudy capitalism
</p>
<p> had to rent a japanese car in houston?<br /> there's no option
</p>
<p> Rothko
</p>
<p> Octagonal Chapel with Skylight<br /> Dark canvas panels<br /> Purple Panel Majesty<br /> And the stroke of the brush<br /> in the dusty oppression of<br /> the low sky through the skylight<br /> tromp d'oeil, i cannot see the<br /> texture as these works are too<br /> subtle for the neophyte for to<br /> me, the works were a somber<br /> memento to that which is spirit,<br /> the dire seriousness of the other<br /> as we pass from here to there<br /> trying to be severe but for some<br /> reason, i am being told more about<br /> the severe than i feel for i feel<br /> not in the house of god, but in<br /> a queer room, dark and dank,<br /> without residence, vacant in its<br /> sparsity.  Challenging as I am not<br /> sure if nihilism wasn't the intent<br /> after all.  After all, what can the<br /> intent be?</p>
<address> &#169;1996 <a href="mail.html">chris abraham</a> </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>Can't get lost here where<br /> the streets are long and<br /> helpful, large signs and<br /> billboards beckon and indulge<br /> drivers to explore without<br /> fear of becoming lost.
</p><p> No getting lost in Houston<br /> where there is always a richmond<br /> or main or montrose greenbriar<br /> to set one straight through the<br /> cafe airs to the theaters in the<br /> avenues, the gaudy capitalism
</p><p> had to rent a japanese car in houston?<br /> there's no option
</p><p> Rothko
</p><p> Octagonal Chapel with Skylight<br /> Dark canvas panels<br /> Purple Panel Majesty<br /> And the stroke of the brush<br /> in the dusty oppression of<br /> the low sky through the skylight<br /> tromp d'oeil, i cannot see the<br /> texture as these works are too<br /> subtle for the neophyte for to<br /> me, the works were a somber<br /> memento to that which is spirit,<br /> the dire seriousness of the other<br /> as we pass from here to there<br /> trying to be severe but for some<br /> reason, i am being told more about<br /> the severe than i feel for i feel<br /> not in the house of god, but in<br /> a queer room, dark and dank,<br /> without residence, vacant in its<br /> sparsity.  Challenging as I am not<br /> sure if nihilism wasn't the intent<br /> after all.  After all, what can the<br /> intent be?<br />
<address> &#169;1996 <a href="mail.html">chris abraham</a> </address>
</p>    ]]></content>
  </entry>
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