sexuality

Hot Pants

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Her hot pants dance and dazzle
Feet flutter under pale spinning calves.
Her Skin is spread taut under the
Taut cloth of her orange tunic,
It presses against nippled breasts.

The hair crashes and splashes against
Her shoulders -- their chocolate waves spread
On awkward shoulders.
She jounces and pops hair into a
Feathery fan -- then into a
Knot upon the fragile scalp.

Twisting, hopping and grinding hips
Pop hard in the new unripe
Peach delicacy -- the cleft cut crisply
Between flared pelvis.

Her breasts hop, not bounce --
They are the prologue to her body and
I am dazzled. They
Have a loft like steam.

Like drops of semen on sheets
As good as, just as unjust
The flair, the curve, the line is
Preposterous.

Formed like a girl
Built like a woman
Upon the great frame
Female -- feast your eyes.

What is herstory?
I want that budding breast in
My mouth. I need that Thigh
flesh bunched between my fingers
To squeeze. To smell, to lick, to bite.
I need to feel the bloom of petals under
My hand like sunstars -- that sticky
Hot mucous that burns fingers.


©1995 chris abraham

innuendo

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the subtle innuendo ending all innuendos. she is the only friend of yours, red, who thinks you're good enough for her. she is terribly beautiful and where were you all day. down by the river, with me. on the shiny meniscus skittering like a water bug, the oar legs the hull the awkward bodies, pressing out and over, making wakes enough that their dancing plays the pond's ripples into a watery fractal. watery fractal. dowse. how clean is the clarity? this water in which my oars dip. the water through which i cut, the water which slaps the hull like a drum. playing my vessel. a vessel. to be in a vessel, to be your vessel, to let you be my vessel. to enter and expose, the folds of flesh opening and closing around like the water taking in my oar, like the water buoying my blue kayak. slapping its hull, slapping its hull, playing like rhythm drum beats in various paces, various movements with the wakes and infinite universal effects of some butterfly or another. the long white translucent fish bloated on the surface. the foamed water way up the source, the warm water running down my arms as i move the oars through the clarity. how clean am i? how clean is this? the pizza i consume, feeling grit on my hands, in my mitts, from bike grease and potomac. will i die? will worms form. yet the way the soft fleshy folds of the river take me into her, slap against the bow as my arms strain towards the limestone granite white hallowed hollowed monuments washed with evening light and the inert gassy spots, the indigo, the saffron, the blues and yellow of my living.

©1998 chris abraham

Jezebel

The ice pick prods and
its icy condensed dew
Dripped drips will drip

The muscles twitch under
Their thin daisy cover.
Powerful ratcheting like
Currents over wire

The insouciant host
Hums the song she
Heard vaguely tumbling
Down from her neighbor's flat.

It reminds her to check the
Mail. The fabric stays and
She shrugs to loosen it's
Tug and the stairs pass
Under heavy hips and
Round thighs

She whistles now, remembering
Night, and squints against day.

Her stockings softly
Zip Zip Zip
The ground moves under
The sweaty
Midsummer jumper

The humid rush
Collapses in its pale
Palsy.

Fuck pop culture
And pop stars and
All its popcorn hate
Mail -- lets take a
Swing at our deep dark
Bullshitting TV generation

work to make the
Sacred trendy and tramp
All over it.

I hover and the ballast
Is released into the
Spheres and ionizes.


©1995 chris abraham

Untitled

I want to fuck her, you say to me in the car driving home,
Waves of hair crash around your face and
Your eyes are dark under the green street lights.

I often view her slim body through my camera.
You desire to touch the glossy skin between her shoulders more than I.

Angry car-eyes reflect. I turn my mirror away from high beams.

You show me your tattoo, the one deep between your thighs,
Its welted black letters like a birthmark.

Your jeans ride low, moving eyes to the crescent belly button ring you wear;

Your belly curves like bread, your shoulders and neck slouch against
slate hair that presses into your eyes.

Come fuck me now, it says in obscured welts.
You add that it used to say fear me, but you didn't like the sound of it.

I play light tufts between my fingers.

I show it to special people, you say as you press forcefully
down on my head.
You softly hum a tune that dances and I feel the Braille rub against my cheek.

She mentioned you as friends from school; her eyes linger
when she orders tea from where you work.

I notice the way you bend, deep from the hip, when you scrub the
coffee from marble tables.

The morning is yellow through curtains -- your skin glows.
The sheets bite me when I touch the spine.

A crimson heart raked by a crown peeks from sheets on
your shoulder.

You call yourself Bull Queen and I am afraid of the
thick rope muscle you carry in your legs.

At the warehouse, lights melt through rings of smoke.
Men in white jumpsuits Spin -- you are coronary.
Club kids freak and touch you;
You take them into the bathroom, unbutton, and show.

After bathing, the disco is in the tobacco of your
mouth, swirling like urine into sheets as you smoke.

When your fingers play the hairs on my chest, I remember
the churning Techno that pressed you against her torso.
Purple, yellow, and green amorphous light shows fiend
your skin as crystals blink in your head. You flip
Hair away from your lips, red like neat surgical incisions.
I sit aside and her supple body entwines, sticking like marshmallows,
with yours.

And me, some guy you fuck.

You sat on the concrete curb and drew smoke from the cigarette and
water from the crisp plastic bottle.

I met you here in front of the 7-11 on the pay phone. You wanted to get a
ride home from some guy you fucked.

I threw your bag into the rusted trunk and tossed you the red pack
of Marlboros.

She wants me to photograph you two together. She wants to be
creative with clothing; she wants to cross-dress
and you will paint on mustaches with pencil and lounge upon
each other like gangsters.

My apartment is heavy and clothes are strewn like flowers.

I am entranced by the rise of your stomach, the raunch of your
breath and your open legs.

I sweat and you laugh in a tight gurgle, rushing to
look through my closet.

Swirling like a fairy you jump and swing on tight feet, jouncing and
haranguing in some ritual.

You combine and the heavy apartment collapses upon your backs.

Glistening pearls drop to the floor and the light plays in a dazzle on
their enamel.

I am Catalyst. Otherwise you'd be gay. You are
Bull Queen.

©1995 Chris Abraham

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