poem

Cambridge Motorways, 1992

We rocketed that Clio from Norwich canon
Along the glistening fields buzzing
That little hacksaw engine through
Fizzing gear-throws.
Your right-hand drive on my left-hand mind
Left grinding notes at roundabouts.

We zipped, eating mouthfuls of sandwich,
Tuna, from your long Fingers.
The wind raced
As roundabouts grew quicker
And the sky threw dew
Onto flashing wiper blades.

We were in Summer-heat, that Winter.
Me, freshly free from another
Dog-house stay on Valentine's day,
With you, escaping to Cambridgeshire
From your student cell to relive
A regatta day at the Blue-Boar:

Dark and musty pub. I was dizzy
From wine from the bottle;
I stared, grabbed your hand,
And admitted desire.
You squirmed and said:

You're not behaving English.

The fields burned past us like the
Renault's petrol and I could see
Your delighted fear as I pushed
The sub-compact hard down meagre
Motorways. Pushing always harder
Just to hear your thrill, preferring
To keep moving so I could clasp
Your wriggling body.

The horse pastures reminded you
Of family outings and motor trips
But they shall forever remind me
Of your crinkled lines of happiness
And the dollops of mayonnaise
I licked from your fingers;
The curve of your hip in the seat
And your warnings to be nice to
Our Little Car.

My heart raced the engine
As the glazed asphalt skimmed tyres,
And, worn from savage
Down-shifts, we stopped at that
Sterile convenience store
(you for the loo and me for
Sugary-sweet drinks.)

We savoured those Cokes,
Sipping the biting bubbles and
You cursed my clutch when the can,
Perched on the dash, fell and spewed
Its molasses onto your virgin jeans.
(Why the dash?, I asked, you know
I can't drive your cars.)

Our journey ended in the muddled
Dizziness of Cambridge, its one-way
Streets and complicated thoroughfares
Favoured the locals. The green and blue
Tin signs beckoned us along damp
Brownstones, past jutting spires
Of King's College and the worn wood façades
of Antique bookshops.

Students, slumped in tweeds,
Peddled three-speeds that blocked
Trickling traffic ways. Heady scholarship
Humbled and loaned us
The intent look of intellectuals
As we pondered what culture we'd consume
Before we consumed each other
In a room at the Cambridge Hotel.

©1993 Chris Abraham

Cut Flowers

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purple irises
dying in a vase
shriveling to black
bowing over losing
petals onto the
black enameled table

sunflowers in a
vase on a black enamel

purple irises
dying in a vase
shriveling to black
bowing over losing
petals onto the
black enameled table

sunflowers in a
vase on a black enamel
table, nodding to the
shiny top, raining
yellow powder pollen
in semicircular spray.

roses turning purple
from red and moist
drying to sharper spines
leaves falling to swim
in the water in the vase
remove flowers, remove

rotting baby's breathe
tie a bit of twine at the
base of the stem and hang
them up alongside all the
red roses frozen in long
testimony of love lost
table, nodding to the
shiny top, raining
yellow powder pollen
in semicircular spray.

roses turning purple
from red and moist
drying to sharper spines
leaves falling to swim
in the water in the vase
remove flowers, remove

rotting baby's breathe
tie a bit of twine at the
base of the stem and hang
them up alongside all the
red roses frozen in long
testimony of love lost

©1996 chris abraham

A Native Dance For Royalty

A native dance,
Saved for those of
Divine lineage.
Succession of movements
Owing gratitude to
The oldest nation,
The first people.
Eight owing their lineage
To Africa:
Four men, four women.
Glistening bodies
Rippling torsos
Chiseled into slate.
Orange and blue full pant.
Adorned: shells and beads.
Nappy hair, braided hair
Whipping and arching.
Bandoleers of shells across
Broad chests, full breasts.
Drums.
Flailing, bounding
Jumping --
The pounding of drums,
Like an exaggerated
Heartbeat, a basic
Hypnotic pounding.
Dancing prancing
Arms flailing up,
Around, down.
Stepping hard with
Full thighs and
Tensed feet.
Gyration and pelvic thrusts.
Arms pitching,
Beat driving,
Sweat dripping.
Synchronized movement.
A dance of hot foot.
Bounding, thrashing,
Arms propelling in
Circles -- around,
As though the air
Would give flight.
Showing reverence to
The blood flowing within
Those honored and
Revered.


©1989 chris abraham

No Decompression Limit

I sit hypnotized by the soft hiss and blow
Of my breath as I look past the pressure
Of my mask.

Man-eaters pass:
Larger, drabber, more oppressive
Than on the aerated surface.

Yet, the great column of water above
Places me in the snug warmth
Of a mother's womb.

Reassured in this salty bath
Of aquamarine and the fluttering silver
Of slender eyeless fish
and brown drab eels,
Foraging under great shelves
of cragged coral.

Neutral buoyancy.
Mastering the physics of the deep,
The breath of depth;
The most delicious air
Fills my lungs to saturation.
The seduction of the underworld
Glides in a reality unreal,
Disorienting to this surface-dweller:
An absence of gravity, a magnified
Presence.

Never wanting to come off
I take hit after hit;
The narcosis of this depth
Is frightening, addictive.
Bubbled mercury rises as I blow
Hard into my second stage.
I grip my jaw into the salty
Spongy rubber mouth-piece,
Shutting eyes tight,
Shaking off the numbing
Water.

The glowing face of a gauge
Announces that the end is coming.
I will rise soon, making sure
I can see the mirrored bubbles
Pass my ascent.

As I look up light glimmers through
The great water separating me
From the sky.


©1999 chris abraham

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