a warm call under a warm feather duvet worn like a lover a full half hour before the alarm sounds its ghastly racket. a portable phone flexing its 900MHz across the thousands of kilometers spanning the skin of my duvet, the space of air to the base, and the grand land of the New World, the Peaceful Sea, and a POTS, copper wire, fibre optics, satellite, spread spectrum, repeaters, switching, bandwidth, international subset, substrate, irradiating the rubbery leather of the Sperm hunting the giant giant prehensile squid. where the pipe is laid, where the optics chirp their handshake, their telephony, their protocol, their laser beam words. enough to convey softness the same way it was harsh before, the way it conveys sadness and apology the same way it was hurt before. complaining about the static. complaining about the clicks of the rushing pod of porpoise and the moaning of the migrating humpback as it tries to sing us back to sweet sleep.
©1998 chris abrahamlove poem
hawaii woman
saw woman in a red callico dress, thin sun dress and she had long slender legs pressed into nude-leather open-toes shoes with a pressed leather heel. Her toe nails were plum. The skin of her legs was translucent and pale and smooth. The dress covered her upper thigh but the hip was smooth under the thin fabric and her smooth tummy rose to a round bosom. Her arms were slender and her nails were short and natural. Her eyebrows were strong but her hair was dark and full and fell to her shoulder in one splash. Her skin was clear and her mouth was full and she sat there in the cafe nursing a coffee shake with a guy friend and I caught her eye and she looked at me and I couldn't read my Gravity's Rainbow -- then a friend of mine came in and we went outside for a cigarette and she left past us looked back and she and he took off in a civic... but her slim pale legs winked at me once more as she drew them into the car then she shut the door and as she passed I followed her and she smiled and left into the night in the white japanese import.
©1995 chris abrahamk.
You sit at your desk,
Unable to look out
At the street--
The pane reflective.
Your father, a poet,
Is published.
You are certain
We haven't heard of him.
Your soft clear face,
Brushed with hair,
Crinkles in concentration,
Searches for trees.
Rumpled in boy's sheets,
Belly pressed towards sleep,
A hair wave trundles down
Neck and shoulders.
Flannel pajamas form
You and winter scenes
Of snowmen and skaters
Tickle your pale flanks.
The machine kicks in after four
Rings, pressing pleas of
Happiness onto erasable tape.
You screen every call.
You are pressured by the phone.
The vinyl bench in the Blue Metroline
Train presses your intense desire
For freedom into my back.
I sit and write a letter,
From my suburban room, forming words
that tell why I could miss
The last Metro home.
Loving M.
it is not a gentle
memory of you that
i bring home
it is a memory of
teeth and bruises
it is a memory of
fire and poison
words over bear
liters of scotch
portions of songs
huddled over tears
in the corner on the
floor all night
mugs of water drunk
poured; a desk, a floor
bruises to hide
coffee brewed and tea
over bread and cheese
grimaces, teeth
firm slaps anger
revulsion, raw bare
passion resonating
to the burning of
Sting all night
the fatigue held in
bones, in flesh,
the sting of hangover
i am not your friend
you are not my friend
not enough time has
passed and why doesn't
this lover just leave
in the morning you
ask me you ask and you
are so sad so tired so
strong. I watched the
muscled arms, the tense
torso, the sprung legs
round angry thighs
breasts pressing forward
held tight all day in
oppressive heavy work
still so sad so sick from
love running until the
lungs burn and cheeks red
panicked late at night
tears and music and then,
"do you know tosca, do you?
you must visit slovenia
you must understand you
must sense this kind of
love to understand why
i took the cigarette and
burned out my own face
why i am wild
why i am crazed
why i am so cruel
why you must hate me
to truly love me
to be my lover now"
i see your pretty body
and short hair with bangs
dark with lighter stripes
"this is me; this is me"
so beautiful all of it
but sad and dangerous
"most creatures under god
are harmless unless frightened,
cornered or sick," i thought.
so lovely so successful
so formidable so brilliant
yet nothing without love?
and a tender embrace
a tender kiss and a walk
to the tram station, 7b