<?xml version="1.0" encoding="utf-8"?>
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  <title>Caveat Lector blogs</title>
  <subtitle>Let the Reader Beware</subtitle>
  <link rel="alternate" type="text/html" href="http://www.caveatlector.com/blog"/>
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  <updated>2008-08-21T06:36:57+00:00</updated>
  <entry>
    <title>Cut Flowers</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/cut-flowers" />
    <id>http://www.caveatlector.com/content/cut-flowers</id>
    <published>2008-08-21T06:55:03+00:00</published>
    <updated>2008-08-21T06:55:03+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="flowers" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel </p>
<p>purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost </p>
<address> &#169;1996 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel </p>
<p>purple irises<br clear=left /> dying in a vase<br clear=left /> shriveling to black<br clear=left /> bowing over losing<br clear=left /> petals onto the<br clear=left /> black enameled table </p>
<p> sunflowers in a<br clear=left /> vase on a black enamel<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost<br clear=left /> table, nodding to the<br clear=left /> shiny top, raining<br clear=left /> yellow powder pollen<br clear=left /> in semicircular spray. </p>
<p> roses turning purple<br clear=left /> from red and moist<br clear=left /> drying to sharper spines<br clear=left /> leaves falling to swim<br clear=left /> in the water in the vase<br clear=left /> remove flowers, remove </p>
<p> rotting baby's breathe<br clear=left /> tie a bit of twine at the<br clear=left /> base of the stem and hang<br clear=left /> them up alongside all the<br clear=left /> red roses frozen in long<br clear=left /> testimony of love lost </p>
<address> &#169;1996 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>A Native Dance For Royalty</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/native-dance-royalty" />
    <id>http://www.caveatlector.com/content/native-dance-royalty</id>
    <published>2008-08-21T06:52:26+00:00</published>
    <updated>2008-08-21T06:52:26+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="dance" />
    <category term="dancing" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>A native dance,<BR /> Saved for those of<BR /> Divine lineage.<BR /> Succession of movements<BR /> Owing gratitude to <BR /> The oldest nation,<BR /> The first people.<BR /> Eight owing their lineage <BR /> To Africa:<BR /> Four men, four women.<BR /> Glistening bodies<BR /> Rippling torsos<BR /> Chiseled into slate.<BR /> Orange and blue full pant.<BR /> Adorned: shells and beads.<BR /> Nappy hair, braided hair<BR /> Whipping and arching.<BR /> Bandoleers of shells across<BR /> Broad chests, full breasts.<BR /> Drums.<BR /> Flailing, bounding<BR /> Jumping --<BR /> The pounding of drums,<BR /> Like an exaggerated <BR /> Heartbeat, a basic<BR /> Hypnotic pounding.<BR /> Dancing prancing<BR /> Arms flailing up,<BR /> Around, down.<BR /> Stepping hard with<BR /> Full thighs and <BR /> Tensed feet.<BR /> Gyration and pelvic thrusts.<BR /> Arms pitching,<BR /> Beat driving,<BR /> Sweat dripping.<BR /> Synchronized movement.<BR /> A dance of hot foot.<BR /> Bounding, thrashing,<BR /> Arms propelling in<BR /> Circles -- around,<BR /> As though the air<BR /> Would give flight.<BR /> Showing reverence to<BR /> The blood flowing within<BR /> Those honored and<BR /> Revered.</p>
<p></p><P></p>
<address> &#169;1989 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>A native dance,<BR /> Saved for those of<BR /> Divine lineage.<BR /> Succession of movements<BR /> Owing gratitude to <BR /> The oldest nation,<BR /> The first people.<BR /> Eight owing their lineage <BR /> To Africa:<BR /> Four men, four women.<BR /> Glistening bodies<BR /> Rippling torsos<BR /> Chiseled into slate.<BR /> Orange and blue full pant.<BR /> Adorned: shells and beads.<BR /> Nappy hair, braided hair<BR /> Whipping and arching.<BR /> Bandoleers of shells across<BR /> Broad chests, full breasts.<BR /> Drums.<BR /> Flailing, bounding<BR /> Jumping --<BR /> The pounding of drums,<BR /> Like an exaggerated <BR /> Heartbeat, a basic<BR /> Hypnotic pounding.<BR /> Dancing prancing<BR /> Arms flailing up,<BR /> Around, down.<BR /> Stepping hard with<BR /> Full thighs and <BR /> Tensed feet.<BR /> Gyration and pelvic thrusts.<BR /> Arms pitching,<BR /> Beat driving,<BR /> Sweat dripping.<BR /> Synchronized movement.<BR /> A dance of hot foot.<BR /> Bounding, thrashing,<BR /> Arms propelling in<BR /> Circles -- around,<BR /> As though the air<BR /> Would give flight.<BR /> Showing reverence to<BR /> The blood flowing within<BR /> Those honored and<BR /> Revered.</p><P><br />
<address> &#169;1989 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>No Decompression Limit</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/no-decompression-limit" />
    <id>http://www.caveatlector.com/content/no-decompression-limit</id>
    <published>2008-08-21T06:50:26+00:00</published>
    <updated>2008-08-21T07:16:31+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="diving" />
    <category term="godhead" />
    <category term="poem" />
    <category term="poetry" />
    <category term="scuba" />
    <category term="spirituality" />
    <summary type="html"><![CDATA[<p>I sit hypnotized by the soft hiss and blow<BR /> Of my breath as I look past the pressure <BR /> Of my mask.</p>
<p></p><P> Man-eaters pass:<BR /> Larger, drabber, more oppressive<BR /> Than on the aerated surface.</p>
<p></p><P> Yet, the great column of water above<BR /> Places me in the snug warmth <BR /> Of a mother's womb.</p>
<p></p><P> Reassured in this salty bath<BR /> Of aquamarine and the fluttering silver<BR /> Of slender eyeless fish <BR /> and brown drab eels, <BR /> Foraging under great shelves <BR /> of cragged coral.</p>
<p></p><P> Neutral buoyancy.<BR /> Mastering the physics of the deep,<BR /> The breath of depth;<BR /> The most delicious air<BR /> Fills my lungs to saturation.<BR /> The seduction of the underworld<BR /> Glides in a reality unreal,<BR /> Disorienting to this surface-dweller:<BR /> An absence of gravity, a magnified<BR /> Presence.</p>
<p></p><P> Never wanting to come off<BR /> I take hit after hit;<BR /> The narcosis of this depth<BR /> Is frightening, addictive.<BR /> Bubbled mercury rises as I blow<BR /> Hard into my second stage.<BR /> I grip my jaw into the salty<BR /> Spongy rubber mouth-piece,<BR /> Shutting eyes tight,<BR /> Shaking off the numbing <BR /> Water.</p>
<p></p><P> The glowing face of a gauge<BR /> Announces that the end is coming.<BR /> I will rise soon, making sure<BR /> I can see the mirrored bubbles<BR /> Pass my ascent.</p>
<p></p><P> As I look up light glimmers through<BR /> The great water separating me<BR /> From the sky.</p>
<p></p><P></p>
<address> &#169;1999 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>I sit hypnotized by the soft hiss and blow<BR /> Of my breath as I look past the pressure <BR /> Of my mask.</p><P> Man-eaters pass:<BR /> Larger, drabber, more oppressive<BR /> Than on the aerated surface.</p><P> Yet, the great column of water above<BR /> Places me in the snug warmth <BR /> Of a mother's womb.</p><P> Reassured in this salty bath<BR /> Of aquamarine and the fluttering silver<BR /> Of slender eyeless fish <BR /> and brown drab eels, <BR /> Foraging under great shelves <BR /> of cragged coral.</p><P> Neutral buoyancy.<BR /> Mastering the physics of the deep,<BR /> The breath of depth;<BR /> The most delicious air<BR /> Fills my lungs to saturation.<BR /> The seduction of the underworld<BR /> Glides in a reality unreal,<BR /> Disorienting to this surface-dweller:<BR /> An absence of gravity, a magnified<BR /> Presence.</p><P> Never wanting to come off<BR /> I take hit after hit;<BR /> The narcosis of this depth<BR /> Is frightening, addictive.<BR /> Bubbled mercury rises as I blow<BR /> Hard into my second stage.<BR /> I grip my jaw into the salty<BR /> Spongy rubber mouth-piece,<BR /> Shutting eyes tight,<BR /> Shaking off the numbing <BR /> Water.</p><P> The glowing face of a gauge<BR /> Announces that the end is coming.<BR /> I will rise soon, making sure<BR /> I can see the mirrored bubbles<BR /> Pass my ascent.</p><P> As I look up light glimmers through<BR /> The great water separating me<BR /> From the sky.</p><P><br />
<address> &#169;1999 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>Dew</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dew" />
    <id>http://www.caveatlector.com/content/dew</id>
    <published>2008-08-21T06:49:36+00:00</published>
    <updated>2008-08-21T06:49:36+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="Dew" />
    <category term="poem" />
    <category term="poetry" />
    <category term="sex" />
    <category term="sex poem" />
    <category term="sexiness" />
    <category term="sexy" />
    <summary type="html"><![CDATA[<p>Pale lips flutter alight,<BR /> Mouthing phantom praise, saxophone coos.<BR /> <DT>A hovering tease -- breath vaporizes against<BR /> salty sheen skin.<BR /> <DT>Under slow nuzzled caresses, trailed fingers,<DD> and an incandescent tongue,<BR /> Taut flesh swells and becomes flush.<BR /> Arching the back to be closer met by touch.<P> <DT>Touch: soft, gentle scrape of nails on chest;<DD> The touching of the mouth to the nape;<BR /> It lingers and explores, head falls back,<BR /> And the stomach tenses.<BR /> <DT>Wonderful mouth!  Wonderful intimate kiss!<DD> Arms firm around curving flair;<BR /> Pulling closer in embrace, opening under assurance,<BR /> <DT>Gasping breath love, moving<DD> Slowly together.<P> A crescendo of response, up like<BR /> Tides under the moon.<BR /> Kettledrum pulse, sudden resurgence like<BR /> <DT>The wing beat of a startled dove.<DD> Slick musty brine inhaled,<BR /> Saturating the lungs.<P> Minds detour into mazes as eyes close;<BR /> Mouths search. Skin meets, its contact<BR /> Fosters the need to devour<BR /> Swallow<BR /> Absorb --<BR /> To break the physical and meet the <BR /> Need.</p>
<p></p><P></p>
<address> &#169;1989 chris abraham </address>
</dd></dt></p>
</dd>
</dt>
</dd></dt></dd></dt></p>
</dd>
</dt>

</dt>


</p>




    ]]></summary>
    <content type="html"><![CDATA[<p>Pale lips flutter alight,<BR /> Mouthing phantom praise, saxophone coos.<BR /> <DT>A hovering tease -- breath vaporizes against<BR /> salty sheen skin.<BR /> <DT>Under slow nuzzled caresses, trailed fingers,<DD> and an incandescent tongue,<BR /> Taut flesh swells and becomes flush.<BR /> Arching the back to be closer met by touch.<P> <DT>Touch: soft, gentle scrape of nails on chest;<DD> The touching of the mouth to the nape;<BR /> It lingers and explores, head falls back,<BR /> And the stomach tenses.<BR /> <DT>Wonderful mouth!  Wonderful intimate kiss!<DD> Arms firm around curving flair;<BR /> Pulling closer in embrace, opening under assurance,<BR /> <DT>Gasping breath love, moving<DD> Slowly together.<P> A crescendo of response, up like<BR /> Tides under the moon.<BR /> Kettledrum pulse, sudden resurgence like<BR /> <DT>The wing beat of a startled dove.<DD> Slick musty brine inhaled,<BR /> Saturating the lungs.<P> Minds detour into mazes as eyes close;<BR /> Mouths search. Skin meets, its contact<BR /> Fosters the need to devour<BR /> Swallow<BR /> Absorb --<BR /> To break the physical and meet the <BR /> Need.</p><P><br />
<address> &#169;1989 chris abraham </address>
</p></dd></dt></p></dd></dt></dd></dt></dd></dt></p></dd></dt></dt></p>    ]]></content>
  </entry>
  <entry>
    <title>Dig Me with Kat</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dig-me-kat" />
    <id>http://www.caveatlector.com/content/dig-me-kat</id>
    <published>2008-08-21T06:48:22+00:00</published>
    <updated>2008-08-21T07:16:43+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> she reclines by my side<br clear=left /> under our sun, on her towel.<br clear=left /> long limbs and nut brown skin.<br clear=left /> hair like the mane of a lion.<br clear=left /> in the sun buffeted by winds </p>
<p> winds the isles rarely see.<br clear=left /> it is all anyone talks about,<br clear=left /> these winds, the cold air,<br clear=left /> their jackets and sweaters. </p>
<p> i press lotion into the skin<br clear=left /> of her back.  we laugh and speak<br clear=left /> like blue bloods, jaws clenched,<br clear=left /> reading from a book of fiction.<br clear=left /> reading aloud for the sun, for<br clear=left /> the wind, for each other, such<br clear=left /> friends.  such friendship to read<br clear=left /> and sun, to bronze and feel <br clear=left /> the cote d'azur on our flanks<br clear=left /> in waikiki. </p>
<p> the book speaks french, the book<br clear=left /> speaks english, and the words are<br clear=left /> poetic, the words are absurd.<br clear=left /> the novel calls itself surreal, </p>
<p> but it is self consciously erotic like<br clear=left /> "the rose pulsates," "the skin is<br clear=left /> nut brown," "the lover parts the<br clear=left /> knees," "the smooth skin gives way<br clear=left /> to fingers."  out loud these words<br clear=left /> are spoken and we laugh bright sunny<br clear=left /> laughter. </p>
<p> Laughing at the absurdity of the erotic, <br clear=left /> the protagonist taking many<br clear=left /> lovers and weeping, always weeping,<br clear=left /> for the sadness wells and pulsates<br clear=left /> like her rose, like her chest, like<br clear=left /> the surf lapping so near our<br clear=left /> bare toes. </p>
<p> the air tastes especially <br clear=left /> salty. i smell like a coconut.<br clear=left /> she is so natural under the sun. </p>
<p> we laugh to ourselves that the<br clear=left /> text is so hot we must swim.<br clear=left /> we tip toe into the cold water<br clear=left /> refreshed by the winds, these<br clear=left /> uncommon winds, in hawaii. </p>
<p> slowly we enter.  on tippy toes<br clear=left /> en pointe like dancers.  so slowly<br clear=left /> making a quick dip agonizing, feeling<br clear=left /> the sand give way to my feet. pulling<br clear=left /> in tummies and wishing the winds to<br clear=left /> cease and the water to turn bath like. </p>
<p> i am taller than she but she has the<br clear=left /> leg advantage.  water laps her hips.<br clear=left /> stalemate.  a count to three and away<br clear=left /> to the bright orange windsock off shore.<br clear=left /> swimming our heads bob, out further to<br clear=left /> just before. </p>
<p> "this is where i stop, this is where<br clear=left /> my fear of sharks begins.  this is the <br clear=left /> point past which i will be eaten alive." </p>
<p> we turn back, she sprints.  i wallow<br clear=left /> in the chop, having come from washington<br clear=left /> days before.  from the winter.  her nut<br clear=left /> brown skin, my pale white dough broiling.<br clear=left /> i move my body through the saltiness, see<br clear=left /> clarity when i open my eyes, feel my hair<br clear=left /> wave like weeds across my forehead. </p>
<p> pulling myself from the water, i check<br clear=left /> my bad washington knees -- they are strong<br clear=left /> again.  <i>encore.  il fait froid!  mais non,</i><br clear=left /> <i>il fait beau</i> -- it is always wonderful here. </p>
<address> &#169;26 March 1997 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> she reclines by my side<br clear=left /> under our sun, on her towel.<br clear=left /> long limbs and nut brown skin.<br clear=left /> hair like the mane of a lion.<br clear=left /> in the sun buffeted by winds </p>
<p> winds the isles rarely see.<br clear=left /> it is all anyone talks about,<br clear=left /> these winds, the cold air,<br clear=left /> their jackets and sweaters. </p>
<p> i press lotion into the skin<br clear=left /> of her back.  we laugh and speak<br clear=left /> like blue bloods, jaws clenched,<br clear=left /> reading from a book of fiction.<br clear=left /> reading aloud for the sun, for<br clear=left /> the wind, for each other, such<br clear=left /> friends.  such friendship to read<br clear=left /> and sun, to bronze and feel <br clear=left /> the cote d'azur on our flanks<br clear=left /> in waikiki. </p>
<p> the book speaks french, the book<br clear=left /> speaks english, and the words are<br clear=left /> poetic, the words are absurd.<br clear=left /> the novel calls itself surreal, </p>
<p> but it is self consciously erotic like<br clear=left /> "the rose pulsates," "the skin is<br clear=left /> nut brown," "the lover parts the<br clear=left /> knees," "the smooth skin gives way<br clear=left /> to fingers."  out loud these words<br clear=left /> are spoken and we laugh bright sunny<br clear=left /> laughter. </p>
<p> Laughing at the absurdity of the erotic, <br clear=left /> the protagonist taking many<br clear=left /> lovers and weeping, always weeping,<br clear=left /> for the sadness wells and pulsates<br clear=left /> like her rose, like her chest, like<br clear=left /> the surf lapping so near our<br clear=left /> bare toes. </p>
<p> the air tastes especially <br clear=left /> salty. i smell like a coconut.<br clear=left /> she is so natural under the sun. </p>
<p> we laugh to ourselves that the<br clear=left /> text is so hot we must swim.<br clear=left /> we tip toe into the cold water<br clear=left /> refreshed by the winds, these<br clear=left /> uncommon winds, in hawaii. </p>
<p> slowly we enter.  on tippy toes<br clear=left /> en pointe like dancers.  so slowly<br clear=left /> making a quick dip agonizing, feeling<br clear=left /> the sand give way to my feet. pulling<br clear=left /> in tummies and wishing the winds to<br clear=left /> cease and the water to turn bath like. </p>
<p> i am taller than she but she has the<br clear=left /> leg advantage.  water laps her hips.<br clear=left /> stalemate.  a count to three and away<br clear=left /> to the bright orange windsock off shore.<br clear=left /> swimming our heads bob, out further to<br clear=left /> just before. </p>
<p> "this is where i stop, this is where<br clear=left /> my fear of sharks begins.  this is the <br clear=left /> point past which i will be eaten alive." </p>
<p> we turn back, she sprints.  i wallow<br clear=left /> in the chop, having come from washington<br clear=left /> days before.  from the winter.  her nut<br clear=left /> brown skin, my pale white dough broiling.<br clear=left /> i move my body through the saltiness, see<br clear=left /> clarity when i open my eyes, feel my hair<br clear=left /> wave like weeds across my forehead. </p>
<p> pulling myself from the water, i check<br clear=left /> my bad washington knees -- they are strong<br clear=left /> again.  <i>encore.  il fait froid!  mais non,</i><br clear=left /> <i>il fait beau</i> -- it is always wonderful here. </p>
<address> &#169;26 March 1997 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>DiscMan</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/discman" />
    <id>http://www.caveatlector.com/content/discman</id>
    <published>2008-08-21T06:47:47+00:00</published>
    <updated>2008-08-21T07:16:58+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="DiscMan" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>this morning i made<br /> a sacrifice to the gods<br /> the discman to the tile<br /> floors by my feet in the<br /> john, and it might have<br /> well broken for the hold<br /> button that saves the batts<br /> broke and now the discs<br /> are always spinning<br /> discs are moving, rumbling<br /> through their little sambas<br /> until the record stops whirring<br /> and the music stops purring</p>
<address> &#169;1996 chris abraham </address>

    ]]></summary>
    <content type="html"><![CDATA[<p>this morning i made<br /> a sacrifice to the gods<br /> the discman to the tile<br /> floors by my feet in the<br /> john, and it might have<br /> well broken for the hold<br /> button that saves the batts<br /> broke and now the discs<br /> are always spinning<br /> discs are moving, rumbling<br /> through their little sambas<br /> until the record stops whirring<br /> and the music stops purring<br />
<address> &#169;1996 chris abraham </address>
</p>    ]]></content>
  </entry>
  <entry>
    <title>dry elbows</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/dry-elbows" />
    <id>http://www.caveatlector.com/content/dry-elbows</id>
    <published>2008-08-21T06:47:08+00:00</published>
    <updated>2008-08-21T06:47:08+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="life poem" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>the evening passed on my dry elbows, before a dead fire, next to a monitor playing reruns of the x-files. before the lcd playing the words of a former  mistress, a milky little doll with a blunt bob, rosebud breasts, and a penchant  for wearing dkny under the hawaiian sun. or showing off a tummy above hiphuggers  and below a jogbra, black.</p>
<p>her words on the screen. x-sender. x-reply. x-header. she at work, me putting  off the rower. the words. &quot;how can you remember all of this?&quot; she  asks, &quot;or a you making it up as you go along?&quot; </p>
<address> &#169;1998 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>the evening passed on my dry elbows, before a dead fire, next to a monitor playing reruns of the x-files. before the lcd playing the words of a former  mistress, a milky little doll with a blunt bob, rosebud breasts, and a penchant  for wearing dkny under the hawaiian sun. or showing off a tummy above hiphuggers  and below a jogbra, black.</p>
<p>her words on the screen. x-sender. x-reply. x-header. she at work, me putting  off the rower. the words. &quot;how can you remember all of this?&quot; she  asks, &quot;or a you making it up as you go along?&quot; </p>
<address> &#169;1998 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>duvet</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/duvet" />
    <id>http://www.caveatlector.com/content/duvet</id>
    <published>2008-08-21T06:46:17+00:00</published>
    <updated>2008-08-21T06:46:17+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="love" />
    <category term="love poem" />
    <category term="love poet" />
    <category term="love poetry" />
    <summary type="html"><![CDATA[<p>a warm call under a warm feather duvet worn like a lover a full half hour before the alarm sounds its ghastly racket. a portable phone flexing its 900MHz across  the thousands of kilometers spanning the skin of my duvet, the space of air  to the base, and the grand land of the New World, the Peaceful Sea, and a POTS,  copper wire, fibre optics, satellite, spread spectrum, repeaters, switching,  bandwidth, international subset, substrate, irradiating the rubbery leather  of the Sperm hunting the giant giant prehensile squid. where the pipe is laid,  where the optics chirp their handshake, their telephony, their protocol, their  laser beam words. enough to convey softness the same way it was harsh before,  the way it conveys sadness and apology the same way it was hurt before. complaining  about the static. complaining about the clicks of the rushing pod of porpoise  and the moaning of the migrating humpback as it tries to sing us back to sweet  sleep. </p>
<address>&#169;1998 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>a warm call under a warm feather duvet worn like a lover a full half hour before the alarm sounds its ghastly racket. a portable phone flexing its 900MHz across  the thousands of kilometers spanning the skin of my duvet, the space of air  to the base, and the grand land of the New World, the Peaceful Sea, and a POTS,  copper wire, fibre optics, satellite, spread spectrum, repeaters, switching,  bandwidth, international subset, substrate, irradiating the rubbery leather  of the Sperm hunting the giant giant prehensile squid. where the pipe is laid,  where the optics chirp their handshake, their telephony, their protocol, their  laser beam words. enough to convey softness the same way it was harsh before,  the way it conveys sadness and apology the same way it was hurt before. complaining  about the static. complaining about the clicks of the rushing pod of porpoise  and the moaning of the migrating humpback as it tries to sing us back to sweet  sleep. </p>
<address>&#169;1998 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>easter</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/easter" />
    <id>http://www.caveatlector.com/content/easter</id>
    <published>2008-08-21T06:45:05+00:00</published>
    <updated>2008-08-21T06:45:05+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>easter. on the phone with m, and it was not great for her: tiles, barracks, linoleum, beer, bbq, schofield, military, comingling, easter is made for the  east coast, even the mid-atlantic. i look at the picture of me in Paris when  I was mid-twenty, 1990. even then i knew that for me, europe was hollow alone.  i saw the sites like i was preparing my life as a tour guide for her, for she.  for the partner who would like to travel with me, to allow me to show her the  paris jewish ghetto, the little gay neighborhood, shakespeare &amp; co. the evening  light, the wine, the bastille and its opera house. people on the rue, on the  walks, crowded in pens of cafe tables. le louvre. the centre george pompidou.  even lyons, cherbourg, around and about. the buzzing enduros and our buzzing,  our own humming. paris not as a romantic destination but as a place to be, as  a place to enjoy to just enjoy each other. no real sight seeing for us! now,  its all about being there together not sigh seeing, not walking our feet off,  not climbing the radio tower just to see the grim tops of the low low old town-cum-city.  no, instant intimites, with friends from Uni and the night clubs costing US$30  for the unsuspecting. the turn of her hip, the way paris invites a woman to  walk, a woman to dance, the way she eats her strawberry or touches the silk  scarf around her neck. the way she touches me, each other, kissing like school  kids along the seine as the voyeuristic dinner show barges barrage us with spotlights,  illuminating out expert hands. our knowing touches. this is the paris for which  i was prepping, the paris exposed in trite editorials in the new yorker, the  same paris eaten in gulps by hemingway. not the ruined paris -- we shall ignore  her ripped tights and smudged lipstick -- but the youthful daring city, ripe  and flush, breathing heavy with a bountiful chest and apple ass. </p>
<address> &#169;1998 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>easter. on the phone with m, and it was not great for her: tiles, barracks, linoleum, beer, bbq, schofield, military, comingling, easter is made for the  east coast, even the mid-atlantic. i look at the picture of me in Paris when  I was mid-twenty, 1990. even then i knew that for me, europe was hollow alone.  i saw the sites like i was preparing my life as a tour guide for her, for she.  for the partner who would like to travel with me, to allow me to show her the  paris jewish ghetto, the little gay neighborhood, shakespeare &amp; co. the evening  light, the wine, the bastille and its opera house. people on the rue, on the  walks, crowded in pens of cafe tables. le louvre. the centre george pompidou.  even lyons, cherbourg, around and about. the buzzing enduros and our buzzing,  our own humming. paris not as a romantic destination but as a place to be, as  a place to enjoy to just enjoy each other. no real sight seeing for us! now,  its all about being there together not sigh seeing, not walking our feet off,  not climbing the radio tower just to see the grim tops of the low low old town-cum-city.  no, instant intimites, with friends from Uni and the night clubs costing US$30  for the unsuspecting. the turn of her hip, the way paris invites a woman to  walk, a woman to dance, the way she eats her strawberry or touches the silk  scarf around her neck. the way she touches me, each other, kissing like school  kids along the seine as the voyeuristic dinner show barges barrage us with spotlights,  illuminating out expert hands. our knowing touches. this is the paris for which  i was prepping, the paris exposed in trite editorials in the new yorker, the  same paris eaten in gulps by hemingway. not the ruined paris -- we shall ignore  her ripped tights and smudged lipstick -- but the youthful daring city, ripe  and flush, breathing heavy with a bountiful chest and apple ass. </p>
<address> &#169;1998 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>Exploding Boy</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/exploding-boy" />
    <id>http://www.caveatlector.com/content/exploding-boy</id>
    <published>2008-08-21T06:42:35+00:00</published>
    <updated>2008-08-21T06:42:35+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poet" />
    <category term="poetry" />
    <category term="Velton Ross" />
    <summary type="html"><![CDATA[<p></p>
<p></p><P> Exploding boy!<br /> The kid who wanted<br /> To know it all;<br /> He tried to cram infinity<br /> Into his finite skull . . . .<br /> Exploding boy!<br /> He desired to possess the wisdom <br /> Of all mankind,<br /> But with the effort managed<br /> Only to blow his mind . . . .<br /> Exploding boy!<br /> Were you not aware<br /> That you cannot pursue, nor amass<br /> Wisdom<br /> Like one does knowledge?<br /> That you can't become a sage<br /> By taking hallucinogens, and<br /> Going to college?<br /> Oh,<br /> Exploding boy!<br /> When the books wouldn't<br /> Take you there,<br /> And the LSD<br /> No longer shed new light,<br /> And you felt your quest was leading<br /> Nowhere,<br /> Did you know that finally,<br /> You were right?<br /> But nowhere is everywhere<br /> And everywhere is <br /> Zen --<br /> So all along you were right on track,<br /> Right where you were supposed to have been . . . .<br /> Oh, exploding boy . . . .<br /> If only you would have stopped<br /> Looking<br /> And allowed yourself<br /> To simply see,<br /> Maybe, then,<br /> You would have become wise --<br /> Instead of just plum crazy . . . .  </p>
<p></p>
<address> &#169;1995 Velton Ross<br />
</address>
    ]]></summary>
    <content type="html"><![CDATA[<p></p><P> Exploding boy!<br /> The kid who wanted<br /> To know it all;<br /> He tried to cram infinity<br /> Into his finite skull . . . .<br /> Exploding boy!<br /> He desired to possess the wisdom <br /> Of all mankind,<br /> But with the effort managed<br /> Only to blow his mind . . . .<br /> Exploding boy!<br /> Were you not aware<br /> That you cannot pursue, nor amass<br /> Wisdom<br /> Like one does knowledge?<br /> That you can't become a sage<br /> By taking hallucinogens, and<br /> Going to college?<br /> Oh,<br /> Exploding boy!<br /> When the books wouldn't<br /> Take you there,<br /> And the LSD<br /> No longer shed new light,<br /> And you felt your quest was leading<br /> Nowhere,<br /> Did you know that finally,<br /> You were right?<br /> But nowhere is everywhere<br /> And everywhere is <br /> Zen --<br /> So all along you were right on track,<br /> Right where you were supposed to have been . . . .<br /> Oh, exploding boy . . . .<br /> If only you would have stopped<br /> Looking<br /> And allowed yourself<br /> To simply see,<br /> Maybe, then,<br /> You would have become wise --<br /> Instead of just plum crazy . . . .  </p><br />
<address> &#169;1995 Velton Ross<br />
</address>
    ]]></content>
  </entry>
  <entry>
    <title>fallation brass axe</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/fallation-brass-axe" />
    <id>http://www.caveatlector.com/content/fallation-brass-axe</id>
    <published>2008-08-21T06:41:32+00:00</published>
    <updated>2008-08-21T06:41:32+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="music" />
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> fallation brass axe shitake falling away into and running with the entire concept of the boy finally reaching sweet sixteen blowing oh so sweet woo woo cat melodies into the center of my head thick pressed paws thump beat honk of geese in the small floating room below the exit sign  before the moving leaves and the red light the red burning eye.  the.  the.  the. he bought me a drink but i was afraid to drink it, there might be something in it, might be something else but the boyman drinks from the brown glass condensed hoping. hopping.  jiving grooving saying its me i am doing i do not i try not.  i do not.  buzz buzz.  the strain and staring into the mirror for five under stalin red budsign loo loo skip to the loo loo loo skip to the loo my darling and the window to the soul the man with the cruel face the cruelty hidden hidden and the slash across the face, that which i knew before but without the beard even more cruel like sneer and dogs jowls rabid slather pores wide fixed and moving,  eye/eyes/eye/eyes dark cruel sanitary tp tp wiping the water wiping the water mine eyes mine eyes leaking leaking -- watering.  bad choice... all choices. exhilarated glide on wings to nest here dishrag making pruned paws clean pieces steel glass gyrating oregano, basil, hemlock. </p>
<address> &#169;1997 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> fallation brass axe shitake falling away into and running with the entire concept of the boy finally reaching sweet sixteen blowing oh so sweet woo woo cat melodies into the center of my head thick pressed paws thump beat honk of geese in the small floating room below the exit sign  before the moving leaves and the red light the red burning eye.  the.  the.  the. he bought me a drink but i was afraid to drink it, there might be something in it, might be something else but the boyman drinks from the brown glass condensed hoping. hopping.  jiving grooving saying its me i am doing i do not i try not.  i do not.  buzz buzz.  the strain and staring into the mirror for five under stalin red budsign loo loo skip to the loo loo loo skip to the loo my darling and the window to the soul the man with the cruel face the cruelty hidden hidden and the slash across the face, that which i knew before but without the beard even more cruel like sneer and dogs jowls rabid slather pores wide fixed and moving,  eye/eyes/eye/eyes dark cruel sanitary tp tp wiping the water wiping the water mine eyes mine eyes leaking leaking -- watering.  bad choice... all choices. exhilarated glide on wings to nest here dishrag making pruned paws clean pieces steel glass gyrating oregano, basil, hemlock. </p>
<address> &#169;1997 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>fall rant</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/fall-rant" />
    <id>http://www.caveatlector.com/content/fall-rant</id>
    <published>2008-08-21T06:40:52+00:00</published>
    <updated>2008-08-21T06:40:52+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poetry" />
    <category term="rant" />
    <summary type="html"><![CDATA[<p>The first rain brought all the leaves to the slick city streets. Halloween yellows and oranges, reds and the pavement's dark mirror.It is an Autumn smell  I feel now in this city.The incongruous smells of this season in Washington,  DC. Fireplaces alight, the smoke white piped into the thick creamy overcast.Woody  smoke.Wet streets.Slap of tires along wet pavement. Drops of water tapping onto  the tin of the A/C unit. The rainy Autumn captures every sound. Siting in a  coffee shop, listening to recording studio stock smooth jazz, the grinding of  th Burr grinder. The rich funk of the Jamaican Blue Mountain. Autumn is richness  of smells. The cool kills the garbage in a city and replaces it with a nicer  pot pourri. Feces, rotting garbage, urine -- these things are a City in Summer.  Where things strive to self destruct and in their absence there is stink, there  is stench. There are outdoor rats and yet the cold nip sends all indoors. The  reactions are not allowed or slowed and the stink never comes. Or at least not  in a quick oppressive breath. In the winter a man smells more fragrant. Can  spend more time away from the shower. The pits cloud less with the body's odor.  The layers of clothing protect and insulate. Insulation. The insulation of the  Autumn. The snuggling of the fabric, the cloth, the skin, the fur again the  inefficiency of the body's boiler. The ineffective heating or we have gotten  soft from the movement of our body's towards merchant's store, towards the catwalk  and the haute couture.</p>
<address>&#169;1997 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>The first rain brought all the leaves to the slick city streets. Halloween yellows and oranges, reds and the pavement's dark mirror.It is an Autumn smell  I feel now in this city.The incongruous smells of this season in Washington,  DC. Fireplaces alight, the smoke white piped into the thick creamy overcast.Woody  smoke.Wet streets.Slap of tires along wet pavement. Drops of water tapping onto  the tin of the A/C unit. The rainy Autumn captures every sound. Siting in a  coffee shop, listening to recording studio stock smooth jazz, the grinding of  th Burr grinder. The rich funk of the Jamaican Blue Mountain. Autumn is richness  of smells. The cool kills the garbage in a city and replaces it with a nicer  pot pourri. Feces, rotting garbage, urine -- these things are a City in Summer.  Where things strive to self destruct and in their absence there is stink, there  is stench. There are outdoor rats and yet the cold nip sends all indoors. The  reactions are not allowed or slowed and the stink never comes. Or at least not  in a quick oppressive breath. In the winter a man smells more fragrant. Can  spend more time away from the shower. The pits cloud less with the body's odor.  The layers of clothing protect and insulate. Insulation. The insulation of the  Autumn. The snuggling of the fabric, the cloth, the skin, the fur again the  inefficiency of the body's boiler. The ineffective heating or we have gotten  soft from the movement of our body's towards merchant's store, towards the catwalk  and the haute couture.</p>
<address>&#169;1997 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>Farewell Sonnet</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/farewell-sonnet" />
    <id>http://www.caveatlector.com/content/farewell-sonnet</id>
    <published>2008-08-21T06:39:58+00:00</published>
    <updated>2008-08-21T06:39:58+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="poem" />
    <category term="poet" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> I'd like to write a note to say goodbye. I think our time together has to end.<br clear=left /> I used to love you, now I wish you'd die. But maybe someday we can still be friends <br clear=left /> </p>
<p> And by the way, you have a funny face.<br clear=left /> Your stench offends my sense of decency. Your mere existance is a waste of space, not worth the match to burn your effigy. <br clear=left /> </p>
<p> Your momma doesn't love you, so she said. You have no friends, your dog left town in shame. A coffin gets more action than your bed. Your daddy loathes the moment that he came. <br clear=left /> </p>
<p> And I can't help but laugh, 'cuz your life sucks. Oh, don't forget, you owe me fifty bucks. <br clear=left /> </p>
<address> &#169;1996 Kathryn Medland, Mike Crow, Mark Harrison<br />
</address>
    ]]></summary>
    <content type="html"><![CDATA[<p> I'd like to write a note to say goodbye. I think our time together has to end.<br clear=left /> I used to love you, now I wish you'd die. But maybe someday we can still be friends <br clear=left /> </p>
<p> And by the way, you have a funny face.<br clear=left /> Your stench offends my sense of decency. Your mere existance is a waste of space, not worth the match to burn your effigy. <br clear=left /> </p>
<p> Your momma doesn't love you, so she said. You have no friends, your dog left town in shame. A coffin gets more action than your bed. Your daddy loathes the moment that he came. <br clear=left /> </p>
<p> And I can't help but laugh, 'cuz your life sucks. Oh, don't forget, you owe me fifty bucks. <br clear=left /> </p>
<address> &#169;1996 Kathryn Medland, Mike Crow, Mark Harrison<br />
</address>
    ]]></content>
  </entry>
  <entry>
    <title>je suis fatigue</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/je-suis-fatigue" />
    <id>http://www.caveatlector.com/content/je-suis-fatigue</id>
    <published>2008-08-21T06:37:52+00:00</published>
    <updated>2008-08-21T06:37:52+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="french" />
    <category term="poem" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p>and when the day grinds<br /> as i am alone and lonely<br /> in a place where a girl<br /> presses herself to me<br /> and people call to me and<br /> the sun shines on texas but<br /> it must be the gray it must<br /> be the loathsome gloom, no<br /> light to wake to wake to<br /> make the day come to me like<br /> fireworks to come to me and<br /> lay me astride as pretty latin<br /> women sit arched backed in<br /> white cafe chairs, smoking yellow-filtered<br /> cigarettes, pressing black curls<br /> behind the ear, crossing thighs<br /> licking lips, stroking hair, giggling,<br /> laughing, bending together in<br /> their muted conversation there<br /> on the veranda of the cafe of the cafe<br /> where they gesture and purse their<br /> mouths like bitterness. </p>
<address> &#169;1996 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p>and when the day grinds<br /> as i am alone and lonely<br /> in a place where a girl<br /> presses herself to me<br /> and people call to me and<br /> the sun shines on texas but<br /> it must be the gray it must<br /> be the loathsome gloom, no<br /> light to wake to wake to<br /> make the day come to me like<br /> fireworks to come to me and<br /> lay me astride as pretty latin<br /> women sit arched backed in<br /> white cafe chairs, smoking yellow-filtered<br /> cigarettes, pressing black curls<br /> behind the ear, crossing thighs<br /> licking lips, stroking hair, giggling,<br /> laughing, bending together in<br /> their muted conversation there<br /> on the veranda of the cafe of the cafe<br /> where they gesture and purse their<br /> mouths like bitterness. </p>
<address> &#169;1996 chris abraham </address>
    ]]></content>
  </entry>
  <entry>
    <title>Fat Lady</title>
    <link rel="alternate" type="text/html" href="http://www.caveatlector.com/content/fat-lady" />
    <id>http://www.caveatlector.com/content/fat-lady</id>
    <published>2008-08-21T06:36:57+00:00</published>
    <updated>2008-08-21T06:36:57+00:00</updated>
    <author>
      <name>Chris</name>
    </author>
    <category term="fat lady" />
    <category term="poem" />
    <category term="poetry" />
    <summary type="html"><![CDATA[<p> a world<br clear=left /> saturation point<br clear=left /> and the Fat Lady moved uneasily<br clear=left /> cross legged<br clear=left /> back straight, chin high, eyes closed<br clear=left /> the skin brown an buttery<br clear=left /> blond hairs on the cheek<br clear=left /> downy
</p>
<p> happenstance showed me into the opium den where his shirt read, "route 666: highway to hell" for no apparent reason and she sat there shimmering her hair full and down but she was not fertile, she is the decoy, a place for sperm to rot deep within barren chambers. The simmering mirage beside the Source only inches below and the nails would bring it up burbling. swaggering soldiers in the desert. impotent cocks and barren cunts yet all around me 6 months with child with child and yet not mine.  </p>
<p> when women tell say, "I am not interested in getting involved with anybody right now," does that mean what it says, does it just mean me, or is it one of those misunderstandings that the sexes share which actually, translated, means: "I like you, but I know boys have a fear of commitment and if I tell you I really like you, you might run away, so I am in fact saying 'i don't want a boyfriend' to placate you when in fact i maybe should have said nothing at all nothing at all nothing at all, really... so instead of getting what I want, instead of you getting what you want, we instead dance the dance and never touch for very long until the parting kiss and then it is too late too late too late and then we both come up empty, or worse."  </p>
<p> Am not bitter, it is all just game tokens and I have more than my share. I am writing my screenplay too well, and anne is becoming suspicious for the coincidences are becoming unbearable. She is beginning to see that i am a little bit too willing to go high go low, and i play the neuro net like an infinitely complicated harp the way some people play me... if mark and i were to focus on winning the lottery, who know what would happen?  </p>
<p> remember biloxi remember the fun we can have -- wait until powerball hits 20 mil and then send me an email and we'll send the abient light through the ruby through the gas and it will be hardened into a beam into a bean that can cut or can heal like the laser, like prayer like god and we are traveling for the Fat Lady and yes I have finished "Franny and Zooey" and yes the end it what got me and I gave the book onto anne's little sis and bough "Catcher in the Rye" and "F &amp; Z" for Holly and holly is fertility and goddess and I travel for Her, I travel for She and I kissed liz's belly and it is so round and tight and beautiful -- the love I feel for their duo trio is overpowering and I just want to put all of my overactive boiler furnace hyper-hepped battery of energy into her and invoke the sun and infuse gold into the child's veins and see the beauty of the fertile womb in the weak pink limbs of child, hitherto known as junior and i feel it is a boy but then it must be a girl and anne tells me things like "you're so vile, your balls are so big you can barely walk you are a horny puppy you are a freak you are vile you are obsessive you are crazy nuts absurd and i will break her yet from her dressage straight back GI inflexibility and i will break that horse and she will see that even though she may be the first person to have read the 10th insight, she don't know shit and she knows everything but I am taking my time and revealing oh so slowly and yet i am moving too fast and she is getting a little freaked by my "gravity" and its effects on surrounding reality -- she mentions it once every 20 or so minutes and she make a lot of 666 joke about me and then a bunch of Fat Lady jokes and yet by very the very nature of her tubes i am sure nothing she experiences (especially when we hit the epicenter in Asia) will surprise her even if I were to spontaneously start flinging thunder bolts and show her the busted-face dude -- i am a little leery yet to do the eye thing on her, but i was tired the other night and got lazy and week and pinged and she's all good right through and through and she ia heavily guarded and armoured like a T-1, like and Abrams, with reactive armour and she is not bold enough for the uranium shells so she'll have to open her hatch and come out in time in time -- but right now, no to the dizzying dizzying dizzying eyes! Gentle Gentile, good boy. Had a violent dream, beat the shit out of a Yalie who chewed on my turds and he kept on coming back and I was late for a flight away with Mark and my laundry was dirty and this bugger tried my patience and so I continued to pound his head until I woke up to mark, or was it liz or was it who was it...  </p>
<p> it looked like this kid we saw in NH @ yale: blue yale baseball hat, shirt tie blazer khakis, bucks -- i tried to appease, tried to ignore, tried to fence, then went red after the turd and pound pound pound and to no avail -- first anxiety dream this trip... posted to alt.alien.wanderers and here I am... sipping a dbl espresso, and preparing to have a martini with liz and then tomorrow i am shooting willow and she will fill me frame with her dizzying body and i will tell her with my detached photog's timbre to arch tour back, lower your chin, look to the side, tippy-toe, turn your shoulders toward me, put, part your lips, reapply lipstick, make your eyes darker, brush your hair, make love to the camera and all that shit and she will writher and turn and shimmer and glow and her lips will be wet and her eyes pools and her hair luxuriant and her skin smooth and her toes will be little pearls and the shape of her breasts will be buoyant and he hips will flair and her flesh will press and, as always, gravity will ignore her and she will be red appropriately and brown when she needs to be and pink where it matters and the e-6 will eat her up and add a flattering 10#s to her waif's frame. the little crescent of her navel will make love to the n90s...  </p>
<address> &#169;1996 chris abraham </address>
    ]]></summary>
    <content type="html"><![CDATA[<p> a world<br clear=left /> saturation point<br clear=left /> and the Fat Lady moved uneasily<br clear=left /> cross legged<br clear=left /> back straight, chin high, eyes closed<br clear=left /> the skin brown an buttery<br clear=left /> blond hairs on the cheek<br clear=left /> downy
</p><p> happenstance showed me into the opium den where his shirt read, "route 666: highway to hell" for no apparent reason and she sat there shimmering her hair full and down but she was not fertile, she is the decoy, a place for sperm to rot deep within barren chambers. The simmering mirage beside the Source only inches below and the nails would bring it up burbling. swaggering soldiers in the desert. impotent cocks and barren cunts yet all around me 6 months with child with child and yet not mine.  </p>
<p> when women tell say, "I am not interested in getting involved with anybody right now," does that mean what it says, does it just mean me, or is it one of those misunderstandings that the sexes share which actually, translated, means: "I like you, but I know boys have a fear of commitment and if I tell you I really like you, you might run away, so I am in fact saying 'i don't want a boyfriend' to placate you when in fact i maybe should have said nothing at all nothing at all nothing at all, really... so instead of getting what I want, instead of you getting what you want, we instead dance the dance and never touch for very long until the parting kiss and then it is too late too late too late and then we both come up empty, or worse."  </p>
<p> Am not bitter, it is all just game tokens and I have more than my share. I am writing my screenplay too well, and anne is becoming suspicious for the coincidences are becoming unbearable. She is beginning to see that i am a little bit too willing to go high go low, and i play the neuro net like an infinitely complicated harp the way some people play me... if mark and i were to focus on winning the lottery, who know what would happen?  </p>
<p> remember biloxi remember the fun we can have -- wait until powerball hits 20 mil and then send me an email and we'll send the abient light through the ruby through the gas and it will be hardened into a beam into a bean that can cut or can heal like the laser, like prayer like god and we are traveling for the Fat Lady and yes I have finished "Franny and Zooey" and yes the end it what got me and I gave the book onto anne's little sis and bough "Catcher in the Rye" and "F &amp; Z" for Holly and holly is fertility and goddess and I travel for Her, I travel for She and I kissed liz's belly and it is so round and tight and beautiful -- the love I feel for their duo trio is overpowering and I just want to put all of my overactive boiler furnace hyper-hepped battery of energy into her and invoke the sun and infuse gold into the child's veins and see the beauty of the fertile womb in the weak pink limbs of child, hitherto known as junior and i feel it is a boy but then it must be a girl and anne tells me things like "you're so vile, your balls are so big you can barely walk you are a horny puppy you are a freak you are vile you are obsessive you are crazy nuts absurd and i will break her yet from her dressage straight back GI inflexibility and i will break that horse and she will see that even though she may be the first person to have read the 10th insight, she don't know shit and she knows everything but I am taking my time and revealing oh so slowly and yet i am moving too fast and she is getting a little freaked by my "gravity" and its effects on surrounding reality -- she mentions it once every 20 or so minutes and she make a lot of 666 joke about me and then a bunch of Fat Lady jokes and yet by very the very nature of her tubes i am sure nothing she experiences (especially when we hit the epicenter in Asia) will surprise her even if I were to spontaneously start flinging thunder bolts and show her the busted-face dude -- i am a little leery yet to do the eye thing on her, but i was tired the other night and got lazy and week and pinged and she's all good right through and through and she ia heavily guarded and armoured like a T-1, like and Abrams, with reactive armour and she is not bold enough for the uranium shells so she'll have to open her hatch and come out in time in time -- but right now, no to the dizzying dizzying dizzying eyes! Gentle Gentile, good boy. Had a violent dream, beat the shit out of a Yalie who chewed on my turds and he kept on coming back and I was late for a flight away with Mark and my laundry was dirty and this bugger tried my patience and so I continued to pound his head until I woke up to mark, or was it liz or was it who was it...  </p>
<p> it looked like this kid we saw in NH @ yale: blue yale baseball hat, shirt tie blazer khakis, bucks -- i tried to appease, tried to ignore, tried to fence, then went red after the turd and pound pound pound and to no avail -- first anxiety dream this trip... posted to alt.alien.wanderers and here I am... sipping a dbl espresso, and preparing to have a martini with liz and then tomorrow i am shooting willow and she will fill me frame with her dizzying body and i will tell her with my detached photog's timbre to arch tour back, lower your chin, look to the side, tippy-toe, turn your shoulders toward me, put, part your lips, reapply lipstick, make your eyes darker, brush your hair, make love to the camera and all that shit and she will writher and turn and shimmer and glow and her lips will be wet and her eyes pools and her hair luxuriant and her skin smooth and her toes will be little pearls and the shape of her breasts will be buoyant and he hips will flair and her flesh will press and, as always, gravity will ignore her and she will be red appropriately and brown when she needs to be and pink where it matters and the e-6 will eat her up and add a flattering 10#s to her waif's frame. the little crescent of her navel will make love to the n90s...  </p>
<address> &#169;1996 chris abraham </address>
    ]]></content>
  </entry>
</feed>
